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Related Music Theory Alchemy

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

Jimi Hendrix – Hey Joe – Verse 3

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

The full chord names and their respective Roman numerals are as follows:

C Major (I)
G Major (V)
D Major (II)
A Major (VI)
E Major (III)

Borrowed Chord:
No borrowed chord appears within this chord progression.

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
The chord progression in the verses is as follows:
Am (i), G (VII), Am (i), Am/G (i/VII), Am/F# (i/VI), Am/F (i/V), Am/E (i/IV), G (VII), C (III), E (V)

2. “All Along The Watchtower” by Bob Dylan (made famous by Jimi Hendrix)
The chord progression for the entire song is:
C# minor (i), B major (VII), A major (VI), B major (VII)

These chord progressions exhibit some similarity to “Hey Joe,” as they also feature unconventional progressions and are significant within the context of blues-rock music.

Musical Analysis

The chord progression in verse 3 of “Hey Joe” is atypical in that it doesn’t conform to the conventional circle of fifths entirely. Instead, it loosely follows the circle of fifths but with some discrepancies. The progression starts in the key of C Major (I) and moves sequentially through successive fifth intervals: G Major (V), D Major (II), A Major (VI), before finally ending on E Major (III). The ending on E Major breaks the standard circle of fifth pattern.

This nonconformity along with the consistent movement in ascending fifths imbues the progression with a refreshing and unpredictable quality.

Overall Analysis

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

Style Analysis

“Hey Joe” is a staple of the blues-rock genre, thanks in part to the innovative playing of Jimi Hendrix. The song features various elaborate guitar techniques, which have become emblematic of Hendrix’s groundbreaking style. These techniques include the use of extensive bending, overdriven guitar tones, and intricate soloing.

Chords in the Verse 3 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E