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The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

Jimi Hendrix – Hey Joe – Verse 3

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

The full chord names and their respective Roman numerals are as follows:

C Major (I)
G Major (V)
D Major (II)
A Major (VI)
E Major (III)

Borrowed Chord:
No borrowed chord appears within this chord progression.

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
The chord progression in the verses is as follows:
Am (i), G (VII), Am (i), Am/G (i/VII), Am/F# (i/VI), Am/F (i/V), Am/E (i/IV), G (VII), C (III), E (V)

2. “All Along The Watchtower” by Bob Dylan (made famous by Jimi Hendrix)
The chord progression for the entire song is:
C# minor (i), B major (VII), A major (VI), B major (VII)

These chord progressions exhibit some similarity to “Hey Joe,” as they also feature unconventional progressions and are significant within the context of blues-rock music.

Musical Analysis

The chord progression in verse 3 of “Hey Joe” is atypical in that it doesn’t conform to the conventional circle of fifths entirely. Instead, it loosely follows the circle of fifths but with some discrepancies. The progression starts in the key of C Major (I) and moves sequentially through successive fifth intervals: G Major (V), D Major (II), A Major (VI), before finally ending on E Major (III). The ending on E Major breaks the standard circle of fifth pattern.

This nonconformity along with the consistent movement in ascending fifths imbues the progression with a refreshing and unpredictable quality.

Overall Analysis

The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

Style Analysis

“Hey Joe” is a staple of the blues-rock genre, thanks in part to the innovative playing of Jimi Hendrix. The song features various elaborate guitar techniques, which have become emblematic of Hendrix’s groundbreaking style. These techniques include the use of extensive bending, overdriven guitar tones, and intricate soloing.

Chords in the Verse 3 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E