Search

Related Music Theory Alchemy

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

“Perfect Situation” by Weezer is a pop-rock song that follows a standard verse-chorus format, with a strong focus on melody and harmony. The song is in the key of G major, and the chord progression provided is for the second verse. It features a simple, yet effective progression that creates a sense of movement and tension before resolving back to the tonic chord. This gives the song a very engaging, classic pop/rock feel.

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

Grizzly Bear – Yet Again – VERSE 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘C’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘C’, ‘Dm’]

Chord Progression Analysis

“`markdown
A Minor (‘i’), G Major (‘VII’), C Major (‘III’), F Major (‘VI’), F Major (‘VI’), E Minor (‘v’), C Major (‘III’), D Minor (‘iv’)
“`

This is a smooth and coherent progression, primarily because it follows a recognizable pattern. The shift between the I chord (Am), the VII chord (G), the III chord (C), the VI chord (F), and the iv chord (Dm) offers a common movement in music theory.

Similar Chord Progressions

Here are equivalent examples by other artists:
1. Radiohead’s “Exit Music” (for a film): [‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘B’, ‘Dm’]
2. Nick Drake’s “Pink Moon”: [‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘B’, ‘Dm’]
These songs show similar modulatory schemes and thematic structures, adopting a similar compositional approach to Grizzly Bear.

Musical Analysis

The repeated sequence tread between two predominant modalities: A minor and C major. This repetitive progression creates a kind of textural layering, engaging listeners through an ethereal sound as chords alternate between the relative major and minor keys. The two F major chords in a row add a slight twist to the expectation, intensifying the overall progression before resolving back to the tonic.

Overall Analysis

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

Style Analysis

Grizzly Bear’s harmonic progression in “Yet Again” signifies a common trend in indie rock where songwriters exploit a more complex harmonic language, rotating between standardised major-minor tonalities. The verse embraces a style that emphasizes repetitive progressions, establishing a hypnotic, reflective, and somewhat introverted atmosphere typical of indie bands.

Chords in the Verse 2 section of Yet Again by Grizzly Bear are:

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘C’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘C’, ‘Dm’]