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Related Music Theory Alchemy

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“Have You Ever Seen The Rain” is a popular song by Creedence Clearwater Revival from the 1971 album “Pendulum”. This song is performed in the key of C major, and uses chords from the diatonic scale. However, it also utilizes borrowed chords and chord inversions to create a bit of colour and novelty.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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Grizzly Bear – Yet Again – CHORUS

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Chord Progression

[‘Em’, ‘F’, ‘Am’, ‘Em’, ‘F’, ‘Am’, ‘Em’, ‘Em’, ‘F’, ‘Am’, ‘Em’, ‘F’, ‘Am’, ‘G’, ‘Bb’, ‘G’, ‘Bb’, ‘G’, ‘Bb’, ‘Dm’]

Chord Progression Analysis

* E minor (iv)
* F major (VI) – borrowed from A minor
* A minor (i)
* E minor (iv)
* F major (VI) – borrowed from A minor
* A minor (i)
* E minor (iv)
* E minor (iv)
* F major (VI) – borrowed from A minor
* A minor (i)
* E minor (iv)
* F major (VI) – borrowed from A minor
* A minor (i)
* G major (VII)
* B flat Major (bII) – Neapolitan chord
* G major (VII)
* B flat Major (bII) – Neapolitan chord
* G major (VII)
* B flat Major (bII) – Neapolitan chord
* D minor (iv) – borrowed from F major

Similar Chord Progressions

1. “Paranoid Android” by Radiohead features a chromatic shift similar to the G-Bb modulation in Grizzly Bear’s song. The progression goes: Cm – Eb – Ab – G. Their frequent use of borrowed chords and unexpected modulations is a hallmark of their style.

2. Another song that similarly employs the Neapolitan chord is “Because” by The Beatles. The song modulates from C#m to D, which gives it its distinct sound. The progression is: C#m – D – Amaj7.

3. “Life In Technicolor ii” by Coldplay also uses a chorus that modulates in a similar way to “Yet Again.” The progression is: Em – D – C – Bm – D, giving it a similar feel and sense of resolution.

(Note: The song’s actual chord progression names may vary due to different interpretations and transcriptions by different musicians).

Musical Analysis

The chorus of “Yet Again” has a high use of borrowed chords from the parallel major (F major) which adds a unique, unexpected element, providing the shiftiness that characterizes this song. The song also positions the Neapolitan chord (bII, Bb major in the key of A minor), which is an unusual but effective chord, creating tension before resolution.

Overall Analysis

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

Style Analysis

Grizzly Bear notably employs modal mixture and chromaticism in “Yet Again”, borrowing chords from parallel keys to inject a sense of unpredictability. The band’s style is eclectic, often flirting with elements of psychedelic folk, indie rock and chamber pop.

Chords in the Chorus section of Yet Again by Grizzly Bear are:

[‘Em’, ‘F’, ‘Am’, ‘Em’, ‘F’, ‘Am’, ‘Em’, ‘Em’, ‘F’, ‘Am’, ‘Em’, ‘F’, ‘Am’, ‘G’, ‘Bb’, ‘G’, ‘Bb’, ‘G’, ‘Bb’, ‘Dm’]