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“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

“Give Me The Night” by George Benson is a jazz-fusion piece with a strong R&B and pop influence. The pre-chorus utilizes a smooth harmonic progression, involving the use of common jazz chords and inversions. The progression is primarily diatonic, with a few chromatic alterations, allowing for a sense of tension and resolution that contributes to the overall groove and smooth melody.

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

George Benson – Nothings Gonna Change My Love For You – Chorus

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Chord Progression

Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db

Chord Progression Analysis

Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab7 (V7)
Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab Major (V)
Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab7 (V7)
Db Major (I)

Similar Chord Progressions

1. “Just the Two of Us” by Bill Withers and Grover Washington Jr.
Bbmaj7 (I7) – Gm7 (vi7) – Am7 (ii7) – Abmaj7 (bVII7) – Gm7 (vi7) – C7 (V7)

2. “Killing Me Softly with His Song” by Roberta Flack
F#m7 (ii7) – B7 (V7) – E Major (I) – A7 (IV7) – Am7 (iv7) – B7 (V7) – E Major (I)

These songs feature similar chord progressions that mix diatonic, borrowed, and secondary-dominant chords, creating a harmonic richness and emotional appeal. They showcase sophisticated harmonies and smooth transitions, demonstrating the influence of jazz and pop styles in their composition.

Musical Analysis

The chorus begins with a tonic chord, Db Major, followed by a borrowed chord, Gbmaj7 (iv7), which introduces a smooth and emotional transition. The piece then moves to Ab Major (V), building towards the dominant function. The F7 (VI7) is a borrowed secondary dominant chord that adds a touch of bluesy tension before resolving to the Bbm (ii) chord.

The following Eb7 (II7) is a secondary dominant chord that prepares for the Gb Major (IV) chord. The progression moves back to Ab7 (V7), creating a strong dominant to tonic resolution to Db Major (I), which firmly re-establishes the tonic. The progression then repeats, with its expressive harmonies, offering stability and a sense of conclusion.

Overall Analysis

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Style Analysis

Benson’s chord progression exhibits stylistic elements of both pop and jazz fusion. The combination of diatonic, borrowed, and secondary dominant chords showcases sophisticated harmony and creates a lush and colorful sonic landscape. Such harmonic richness is a hallmark of jazz fusion, while the resolution of tension and repetition of the progression are pop music traits.

Chords in the Chorus section of Nothings Gonna Change My Love For You by George Benson are:

Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db