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Related Music Theory Alchemy

“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

George Benson – Nothings Gonna Change My Love For You – Chorus

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Chord Progression

Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db

Chord Progression Analysis

Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab7 (V7)
Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab Major (V)
Db Major (I) – Gbmaj7 (iv7) – Ab Major (V) – F7 (VI7) – Bbm (ii) – Eb7 (II7) – Gb Major (IV) – Ab7 (V7)
Db Major (I)

Similar Chord Progressions

1. “Just the Two of Us” by Bill Withers and Grover Washington Jr.
Bbmaj7 (I7) – Gm7 (vi7) – Am7 (ii7) – Abmaj7 (bVII7) – Gm7 (vi7) – C7 (V7)

2. “Killing Me Softly with His Song” by Roberta Flack
F#m7 (ii7) – B7 (V7) – E Major (I) – A7 (IV7) – Am7 (iv7) – B7 (V7) – E Major (I)

These songs feature similar chord progressions that mix diatonic, borrowed, and secondary-dominant chords, creating a harmonic richness and emotional appeal. They showcase sophisticated harmonies and smooth transitions, demonstrating the influence of jazz and pop styles in their composition.

Musical Analysis

The chorus begins with a tonic chord, Db Major, followed by a borrowed chord, Gbmaj7 (iv7), which introduces a smooth and emotional transition. The piece then moves to Ab Major (V), building towards the dominant function. The F7 (VI7) is a borrowed secondary dominant chord that adds a touch of bluesy tension before resolving to the Bbm (ii) chord.

The following Eb7 (II7) is a secondary dominant chord that prepares for the Gb Major (IV) chord. The progression moves back to Ab7 (V7), creating a strong dominant to tonic resolution to Db Major (I), which firmly re-establishes the tonic. The progression then repeats, with its expressive harmonies, offering stability and a sense of conclusion.

Overall Analysis

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Style Analysis

Benson’s chord progression exhibits stylistic elements of both pop and jazz fusion. The combination of diatonic, borrowed, and secondary dominant chords showcases sophisticated harmony and creates a lush and colorful sonic landscape. Such harmonic richness is a hallmark of jazz fusion, while the resolution of tension and repetition of the progression are pop music traits.

Chords in the Chorus section of Nothings Gonna Change My Love For You by George Benson are:

Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab, Db, Gbmaj7, Ab, F7, Bbm, Eb7, Gb, Ab7, Db