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Related Music Theory Alchemy

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Elton John – Rocket Man – Verse 2

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Chord Progression

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

“`plain
Em7 (‘vi7’), A (‘II’), Asus2 (‘IIsus2’), Em7 (‘vi7’), A (‘II’), A (‘II’), G/B (‘I/III’), C (‘IV’), G/B (‘I/III’), Am (‘ii’),
C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), Em7 (‘vi7’), A (‘II’), Em7 (‘vi7’), A (‘II’), A7sus4 (‘IIsus4’), C (‘IV’),
G/B (‘I/III’), Am (‘ii’), C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), C/D (‘IV/V’),.

Note: ‘II’ indicates a borrowed chord from the parallel key which in this case is G minor.
“`

Similar Chord Progressions

1. Billy Joel – “She’s Got A Way”
Chord Progression: [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘Fm’, ‘C’, ‘G’, ‘Am’, ‘D’, ‘G’, ‘G7’]
Joel’s composition shares the use of dominant and major seventh chords like “Rocket Man”. The movement from F to Fm creates a parallel to John’s frequent use of borrowed chords.

2. The Beatles – “Here Comes The Sun”
Chord Progression: [‘D’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’]
This Beatles classic shares similarities in its use of seventh and suspended chords, creating a similar harmonic color.

3. Eric Clapton – “Wonderful Tonight”
Chord Progression: [‘G’, ‘D/F#’, ‘C’, ‘D’, ‘G’, ‘D/F#’, ‘C’, ‘D’]
Clapton makes use of descending bass lines, similar to “Rocket Man”.

Musical Analysis

Elton John uses a lot of chromaticism and tension-release through the use of seventh chords (Em7), suspensions (Asus2, A7sus4), and borrowed chords (A – borrowed from the parallel minor key). The constant alternations between the tonic and the dominant seventh chord add ambiguity to the progression, reflecting the theme of the song. The bass line movement, particularly the use of slash chords (G/B, D/F#), creates an interesting countermelody to the tune and emulates the feeling of traveling to the cosmos.

Overall Analysis

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

Style Analysis

Elton’s style is largely influenced by gospel, blues, and early rock ‘n’ roll, which is evident in the usage of the dominant seventh and suspended chords throughout the verse. He also incorporates a lot of rhythmic changes and syncopations into the chord progression, creating a rich harmonic texture. The repeated riff helps to ground the song in the folk-rock style, while the use of borrowed chords adds a jazzy touch.

Chords in the Verse 2 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]