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“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Elton John – Rocket Man – Verse 2

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Chord Progression

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

“`plain
Em7 (‘vi7’), A (‘II’), Asus2 (‘IIsus2’), Em7 (‘vi7’), A (‘II’), A (‘II’), G/B (‘I/III’), C (‘IV’), G/B (‘I/III’), Am (‘ii’),
C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), Em7 (‘vi7’), A (‘II’), Em7 (‘vi7’), A (‘II’), A7sus4 (‘IIsus4’), C (‘IV’),
G/B (‘I/III’), Am (‘ii’), C/G (‘IV/V’), D/F# (‘V/III’), D/A (‘V/V’), D (‘V’), C/D (‘IV/V’),.

Note: ‘II’ indicates a borrowed chord from the parallel key which in this case is G minor.
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Similar Chord Progressions

1. Billy Joel – “She’s Got A Way”
Chord Progression: [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘Fm’, ‘C’, ‘G’, ‘Am’, ‘D’, ‘G’, ‘G7’]
Joel’s composition shares the use of dominant and major seventh chords like “Rocket Man”. The movement from F to Fm creates a parallel to John’s frequent use of borrowed chords.

2. The Beatles – “Here Comes The Sun”
Chord Progression: [‘D’, ‘G’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A7’, ‘D’, ‘G’]
This Beatles classic shares similarities in its use of seventh and suspended chords, creating a similar harmonic color.

3. Eric Clapton – “Wonderful Tonight”
Chord Progression: [‘G’, ‘D/F#’, ‘C’, ‘D’, ‘G’, ‘D/F#’, ‘C’, ‘D’]
Clapton makes use of descending bass lines, similar to “Rocket Man”.

Musical Analysis

Elton John uses a lot of chromaticism and tension-release through the use of seventh chords (Em7), suspensions (Asus2, A7sus4), and borrowed chords (A – borrowed from the parallel minor key). The constant alternations between the tonic and the dominant seventh chord add ambiguity to the progression, reflecting the theme of the song. The bass line movement, particularly the use of slash chords (G/B, D/F#), creates an interesting countermelody to the tune and emulates the feeling of traveling to the cosmos.

Overall Analysis

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

Style Analysis

Elton’s style is largely influenced by gospel, blues, and early rock ‘n’ roll, which is evident in the usage of the dominant seventh and suspended chords throughout the verse. He also incorporates a lot of rhythmic changes and syncopations into the chord progression, creating a rich harmonic texture. The repeated riff helps to ground the song in the folk-rock style, while the use of borrowed chords adds a jazzy touch.

Chords in the Verse 2 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘Asus2’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘Em7’, ‘A’, ‘Em7’, ‘A’, ‘A7sus4’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]