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Related Music Theory Alchemy

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

Elton John – Rocket Man – Verse 1

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Chord Progression

Em7, A, A, Asus4, Em7, A, A, G/B, C, G/B, Am, C/G, D/F#, Dsus2, D, Em7, A, Asus4, Em7, Asus4, G/B, C, G/B, Am, C/G, D/F#, D/A, D, C/D

Chord Progression Analysis

Formatted like “Full Chord Name (‘Roman Numeral’)”:

plaintext
Em7 (ii7),
A (IV),
A (IV),
Asus4 (IVsus4),
Em7 (ii7),
A (IV),
A (IV),
G/B (I6),
C (vi),
G/B (I6),
Am (ii),
C/G (V6),
D/F# (V64),
Dsus2 (V),
D (V),
Em7 (ii7),
A (IV),
Asus4 (IVsus4),
Em7 (ii7),
Asus4 (IVsus4),
G/B (I6),
C (vi),
G/B (I6),
Am (ii),
C/G (V6),
D/F# (V64),
D/A (V43),
D (V),
C/D (VII7/IV).

In this code block ‘I6’, ‘V64’ and ‘V43’ denote different inversions of the tonic and dominant chords (G and D respectively in this context), ‘VII7/IV’ indicates a secondary dominant chord. ‘ii7’, ‘IV’ and ‘Vi’ are standard numerals for minor and major chords. ‘IVsus4’ indicates a suspended 4th chord.

Similar Chord Progressions

Interestingly, the 1975 song “I’m Not in Love” by 10cc uses quite a similar harmonic progression. The verse of “Wonderful Tonight” by Eric Clapton also features a number of chordal similarities. Also, some harmonic moments can be found in The Beatles’s atmospheric “Across the Universe”. In all these pieces you can find a similar use of complex chords, including sus and secondary dominants that give the sound its “floating” and varying feeling.

Musical Analysis

The chord progression features varied inversions for truelly outlining the harmonic motion. The use of suspended chords (Asus4, Dsus2) gives the song its light, floating atmosphere — somewhat matching the lyrical theme of space travel.

Overall Analysis

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

Style Analysis

Elton John’s writing style is renowned for its unpredictability, striking a balance between the rock and pop genres while leaning heavily into more complex songwriting strategies typically found in classical music. In ‘Rocket Man,’ he uses this to create an atmospheric, ethereal sound that perfectly complements the song’s space-bound subject matter.

Chords in the Verse 1 section of Rocket Man by Elton John are:

Em7, A, A, Asus4, Em7, A, A, G/B, C, G/B, Am, C/G, D/F#, Dsus2, D, Em7, A, Asus4, Em7, Asus4, G/B, C, G/B, Am, C/G, D/F#, D/A, D, C/D