Search

Related Music Theory Alchemy

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

Elton John – Rocket Man – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Em7’, ‘A’, ‘A’, ‘Asus4’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘Dsus2’, ‘D’, ‘Em7’, ‘A’, ‘Asus4’, ‘Em7’, ‘Asus4’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]

Chord Progression Analysis

Formatted like “Full Chord Name (‘Roman Numeral’)”:

“`plaintext
Em7 (‘ii7’),
A (‘IV’),
A (‘IV’),
Asus4 (‘IVsus4’),
Em7 (‘ii7’),
A (‘IV’),
A (‘IV’),
G/B (‘I6’),
C (‘vi’),
G/B (‘I6’),
Am (‘ii’),
C/G (‘V6’),
D/F# (‘V64’),
Dsus2 (‘V’),
D (‘V’),
Em7 (‘ii7’),
A (‘IV’),
Asus4 (‘IVsus4’),
Em7 (‘ii7’),
Asus4 (‘IVsus4’),
G/B (‘I6’),
C (‘vi’),
G/B (‘I6’),
Am (‘ii’),
C/G (‘V6’),
D/F# (‘V64’),
D/A (‘V43’),
D (‘V’),
C/D (‘VII7/IV’).
“`

In this code block ‘I6’, ‘V64’ and ‘V43’ denote different inversions of the tonic and dominant chords (G and D respectively in this context), ‘VII7/IV’ indicates a secondary dominant chord. ‘ii7’, ‘IV’ and ‘Vi’ are standard numerals for minor and major chords. ‘IVsus4’ indicates a suspended 4th chord.

Similar Chord Progressions

Interestingly, the 1975 song “I’m Not in Love” by 10cc uses quite a similar harmonic progression. The verse of “Wonderful Tonight” by Eric Clapton also features a number of chordal similarities. Also, some harmonic moments can be found in The Beatles’s atmospheric “Across the Universe”. In all these pieces you can find a similar use of complex chords, including sus and secondary dominants that give the sound its “floating” and varying feeling.

Musical Analysis

The chord progression features varied inversions for truelly outlining the harmonic motion. The use of suspended chords (Asus4, Dsus2) gives the song its light, floating atmosphere — somewhat matching the lyrical theme of space travel.

Overall Analysis

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

Style Analysis

Elton John’s writing style is renowned for its unpredictability, striking a balance between the rock and pop genres while leaning heavily into more complex songwriting strategies typically found in classical music. In ‘Rocket Man,’ he uses this to create an atmospheric, ethereal sound that perfectly complements the song’s space-bound subject matter.

Chords in the Verse 1 section of Rocket Man by Elton John are:

[‘Em7’, ‘A’, ‘A’, ‘Asus4’, ‘Em7’, ‘A’, ‘A’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘Dsus2’, ‘D’, ‘Em7’, ‘A’, ‘Asus4’, ‘Em7’, ‘Asus4’, ‘G/B’, ‘C’, ‘G/B’, ‘Am’, ‘C/G’, ‘D/F#’, ‘D/A’, ‘D’, ‘C/D’]