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Related Music Theory Alchemy

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

Daniel Caesar – Get You – Verse 2

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

E minor (i), F# minor 7 (ii7), B minor (v), A7 (IV7), and the progression is repeated four times in Verse 2.

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: C#m7 (i7), F#m11 (iv11), E6 (bIII6), G#11 (VI11), C#m9 (i9), G#7 (VI7)

2. Erykah Badu – “Next Lifetime”
Chord Progression: Em7 (i7), Gmaj7 (bIIIΔ7), Bm7 (v7), F#m7 (ii7), B9 (V9)

3. Frank Ocean – “Ivy”
Chord Progression: E maj (I), G maj (bIII), C#m7 (vi7), F#m7 (ii7), B7 (V7)

These chord progressions share similarities in their use of mode mixture, borrowed chords, and rich extended harmonies often found in R&B and neo-soul music.

Musical Analysis

The progression begins in the key of E minor, starting with the tonic (i) chord. Then, the progression moves to F#m7, the ii7 chord of E Dorian. This provides a jazzy and unexpected sound while borrowing from the Dorian mode. After that, we have the v chord (Bm) providing tension. Lastly, we have a borrowed A7 (IV7) dominant chord, which resolves the tension and heads back to the beginning of the progression, creating a loop.

In this progression, there are two borrowed chords:
“`
F#m7 (ii7) – Borrowed from E Dorian
A7 (IV7) – Borrowed from E Major
“`

Overall Analysis

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Style Analysis

This chord progression features elements of R&B and neo-soul, which are known for their lush textures and creative use of non-diatonic chords and borrowed chords. The combination of mode mixture and borrowed chords create an emotional and sophisticated sound that’s distinctive of Daniel Caesar’s music.

Chords in the Verse 2 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7