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Related Music Theory Alchemy

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

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The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Daniel Caesar – Get You – Verse 2

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

E minor (i), F# minor 7 (ii7), B minor (v), A7 (IV7), and the progression is repeated four times in Verse 2.

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: C#m7 (i7), F#m11 (iv11), E6 (bIII6), G#11 (VI11), C#m9 (i9), G#7 (VI7)

2. Erykah Badu – “Next Lifetime”
Chord Progression: Em7 (i7), Gmaj7 (bIIIΔ7), Bm7 (v7), F#m7 (ii7), B9 (V9)

3. Frank Ocean – “Ivy”
Chord Progression: E maj (I), G maj (bIII), C#m7 (vi7), F#m7 (ii7), B7 (V7)

These chord progressions share similarities in their use of mode mixture, borrowed chords, and rich extended harmonies often found in R&B and neo-soul music.

Musical Analysis

The progression begins in the key of E minor, starting with the tonic (i) chord. Then, the progression moves to F#m7, the ii7 chord of E Dorian. This provides a jazzy and unexpected sound while borrowing from the Dorian mode. After that, we have the v chord (Bm) providing tension. Lastly, we have a borrowed A7 (IV7) dominant chord, which resolves the tension and heads back to the beginning of the progression, creating a loop.

In this progression, there are two borrowed chords:
“`
F#m7 (ii7) – Borrowed from E Dorian
A7 (IV7) – Borrowed from E Major
“`

Overall Analysis

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Style Analysis

This chord progression features elements of R&B and neo-soul, which are known for their lush textures and creative use of non-diatonic chords and borrowed chords. The combination of mode mixture and borrowed chords create an emotional and sophisticated sound that’s distinctive of Daniel Caesar’s music.

Chords in the Verse 2 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7