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Related Music Theory Alchemy

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

“A Star Is Born – Shallow” by Misc Soundtrack uses common chords found in pop music and combines them in a fresh way. The progression makes use of diatonic chords and even includes a borrowed chord from the parallel minor key. It showcases a feasible balance of tension and resolution, often transitioning through a variety of chord inversions to add color and depth to the harmonies. The song moves around the circle of fifths, which allows for smooth transitions between keys.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

Daniel Caesar – Get You – Verse 2

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

E minor (i), F# minor 7 (ii7), B minor (v), A7 (IV7), and the progression is repeated four times in Verse 2.

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: C#m7 (i7), F#m11 (iv11), E6 (bIII6), G#11 (VI11), C#m9 (i9), G#7 (VI7)

2. Erykah Badu – “Next Lifetime”
Chord Progression: Em7 (i7), Gmaj7 (bIIIΔ7), Bm7 (v7), F#m7 (ii7), B9 (V9)

3. Frank Ocean – “Ivy”
Chord Progression: E maj (I), G maj (bIII), C#m7 (vi7), F#m7 (ii7), B7 (V7)

These chord progressions share similarities in their use of mode mixture, borrowed chords, and rich extended harmonies often found in R&B and neo-soul music.

Musical Analysis

The progression begins in the key of E minor, starting with the tonic (i) chord. Then, the progression moves to F#m7, the ii7 chord of E Dorian. This provides a jazzy and unexpected sound while borrowing from the Dorian mode. After that, we have the v chord (Bm) providing tension. Lastly, we have a borrowed A7 (IV7) dominant chord, which resolves the tension and heads back to the beginning of the progression, creating a loop.

In this progression, there are two borrowed chords:
“`
F#m7 (ii7) – Borrowed from E Dorian
A7 (IV7) – Borrowed from E Major
“`

Overall Analysis

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Style Analysis

This chord progression features elements of R&B and neo-soul, which are known for their lush textures and creative use of non-diatonic chords and borrowed chords. The combination of mode mixture and borrowed chords create an emotional and sophisticated sound that’s distinctive of Daniel Caesar’s music.

Chords in the Verse 2 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7, Em, F#m7, Bm, A7