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Related Music Theory Alchemy

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

Coldplay – Viva La Vida – Interlude

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

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“`
– C Major (‘IV)
– D Major (‘V)
– G Major I (‘I)
– E minor (‘vi)
“`

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Similar Chord Progressions

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A similar progression can be heard in songs like “Let It Be” by The Beatles, “No Woman No Cry” by Bob Marley, and “With Or Without You” by U2.

**Let It Be – The Beatles**

“`
– C Major (‘IV)
– G Major (‘I)
– A minor (‘vi)
– F Major (‘IV)
“`

**No Woman, No Cry – Bob Marley**

“`
– C Major (‘IV)
– G Major (‘I)
– A minor (‘vi)
– F Major (‘IV)
“`

**With Or Without You – U2**

“`
– D Major (‘V)
– A Major (‘I)
– B minor (‘vi)
– G Major (‘IV)
“`

Musical Analysis

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The chord progression used by Coldplay in Viva La Vida is quite common in many pop songs. It gives the song a strong, anthemic feel, which fits well with the lyrics and theme of the song. It is one of the most popular chord progressions in all of Western music because it is catchy and can easily lead to a strong melody. The IV-V-I-vi is a chord progression that is known to be balanced and cohesive, which helps aid in making songs like Viva La Vida sound euphonic.

The inclusion of the minor vi chord (Em) provides a momentary shift to a more minor, melancholic sound before returning to the major chords – again aligning with the mixed emotions reflected in the song.

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Overall Analysis

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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Style Analysis

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Coldplay, particularly in Viva La Vida, are known for their anthemic pop style, which is distinctly demonstrated by these four chords. The progression is simple, but when paired with the compelling melodic ideas of the band, it provides a strong emotional resonance. The simplicity of the progression allows for other elements in the music (like lyrics, rhythm, and melody) to take centre stage.

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Chords in the Interlude section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]