Search

Related Music Theory Alchemy

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

Coldplay – Viva La Vida – Interlude

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

**

“`
– C Major (‘IV)
– D Major (‘V)
– G Major I (‘I)
– E minor (‘vi)
“`

**

Similar Chord Progressions

**

A similar progression can be heard in songs like “Let It Be” by The Beatles, “No Woman No Cry” by Bob Marley, and “With Or Without You” by U2.

**Let It Be – The Beatles**

“`
– C Major (‘IV)
– G Major (‘I)
– A minor (‘vi)
– F Major (‘IV)
“`

**No Woman, No Cry – Bob Marley**

“`
– C Major (‘IV)
– G Major (‘I)
– A minor (‘vi)
– F Major (‘IV)
“`

**With Or Without You – U2**

“`
– D Major (‘V)
– A Major (‘I)
– B minor (‘vi)
– G Major (‘IV)
“`

Musical Analysis

**

The chord progression used by Coldplay in Viva La Vida is quite common in many pop songs. It gives the song a strong, anthemic feel, which fits well with the lyrics and theme of the song. It is one of the most popular chord progressions in all of Western music because it is catchy and can easily lead to a strong melody. The IV-V-I-vi is a chord progression that is known to be balanced and cohesive, which helps aid in making songs like Viva La Vida sound euphonic.

The inclusion of the minor vi chord (Em) provides a momentary shift to a more minor, melancholic sound before returning to the major chords – again aligning with the mixed emotions reflected in the song.

**

Overall Analysis

**

This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

**

Style Analysis

**

Coldplay, particularly in Viva La Vida, are known for their anthemic pop style, which is distinctly demonstrated by these four chords. The progression is simple, but when paired with the compelling melodic ideas of the band, it provides a strong emotional resonance. The simplicity of the progression allows for other elements in the music (like lyrics, rhythm, and melody) to take centre stage.

**

Chords in the Interlude section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]