Music Theory Alchemy

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Related Music Theory Alchemy

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

The interlude of Weezer’s “Island in the Sun” is in the key of G Major, and features a four-chord progression that repeats itself twice (Em-Am-D-G). The sequence follows a vi-ii-V-I progression, which is a very common progression in pop and rock music.

Coldplay – Viva La Vida – Interlude

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

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“`
– C Major (‘IV)
– D Major (‘V)
– G Major I (‘I)
– E minor (‘vi)
“`

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Similar Chord Progressions

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A similar progression can be heard in songs like “Let It Be” by The Beatles, “No Woman No Cry” by Bob Marley, and “With Or Without You” by U2.

**Let It Be – The Beatles**

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– C Major (‘IV)
– G Major (‘I)
– A minor (‘vi)
– F Major (‘IV)
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**No Woman, No Cry – Bob Marley**

“`
– C Major (‘IV)
– G Major (‘I)
– A minor (‘vi)
– F Major (‘IV)
“`

**With Or Without You – U2**

“`
– D Major (‘V)
– A Major (‘I)
– B minor (‘vi)
– G Major (‘IV)
“`

Musical Analysis

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The chord progression used by Coldplay in Viva La Vida is quite common in many pop songs. It gives the song a strong, anthemic feel, which fits well with the lyrics and theme of the song. It is one of the most popular chord progressions in all of Western music because it is catchy and can easily lead to a strong melody. The IV-V-I-vi is a chord progression that is known to be balanced and cohesive, which helps aid in making songs like Viva La Vida sound euphonic.

The inclusion of the minor vi chord (Em) provides a momentary shift to a more minor, melancholic sound before returning to the major chords – again aligning with the mixed emotions reflected in the song.

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Overall Analysis

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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Style Analysis

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Coldplay, particularly in Viva La Vida, are known for their anthemic pop style, which is distinctly demonstrated by these four chords. The progression is simple, but when paired with the compelling melodic ideas of the band, it provides a strong emotional resonance. The simplicity of the progression allows for other elements in the music (like lyrics, rhythm, and melody) to take centre stage.

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Chords in the Interlude section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]