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Related Music Theory Alchemy

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Beck – Say Goodbye – Verse 3

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

“`
G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV) – G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV)
“`

Similar Chord Progressions

1. Radiohead – Karma Police (Verse):
“`
A minor (i) – A# Major (bII) – G Major (bVII) – D Major (IV)
“`
2. The Beatles – While My Guitar Gently Weeps (Verse):
“`
A minor (i) – A major (V/V) – A# Major (bII) – G Major (bVII) – C Major (III) – E Major (V)
“`

These songs feature similar chord progressions that include borrowed chords and unconventional progressions that challenge traditional harmony. They blend different styles and evoke emotional depth through the use of non-diatonic chords.

Musical Analysis

This progression begins with a G Major chord that establishes the tonal center. The second chord, A# Major, is borrowed from the parallel minor key of G minor and creates a chromatic departure from the diatonic scale. The A# Major serves as a pivotal chord leading to the Am which is diatonic. We then transition to the C Major chord which provides a sense of resolution.

The progression repeats with the same chords, further emphasizing the uniqueness of the chords chosen by Beck in this song. The use of the bIII (borrowed) and ii chords provides a sense of tension while the I and IV chords add a sense of resolution.

Overall Analysis

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Style Analysis

Beck is known for blending various genres and experimenting with chord progressions that defy traditional classification. In “Say Goodbye,” he fuses elements of folk, blues, and pop with the unconventional chord progression. This combination contributes to a slightly melancholic and introspective mood, giving the song an evocative and memorable quality.

Chords in the Verse 3 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C