Music Theory Alchemy

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The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

Beck – Say Goodbye – Verse 3

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

“`
G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV) – G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV)
“`

Similar Chord Progressions

1. Radiohead – Karma Police (Verse):
“`
A minor (i) – A# Major (bII) – G Major (bVII) – D Major (IV)
“`
2. The Beatles – While My Guitar Gently Weeps (Verse):
“`
A minor (i) – A major (V/V) – A# Major (bII) – G Major (bVII) – C Major (III) – E Major (V)
“`

These songs feature similar chord progressions that include borrowed chords and unconventional progressions that challenge traditional harmony. They blend different styles and evoke emotional depth through the use of non-diatonic chords.

Musical Analysis

This progression begins with a G Major chord that establishes the tonal center. The second chord, A# Major, is borrowed from the parallel minor key of G minor and creates a chromatic departure from the diatonic scale. The A# Major serves as a pivotal chord leading to the Am which is diatonic. We then transition to the C Major chord which provides a sense of resolution.

The progression repeats with the same chords, further emphasizing the uniqueness of the chords chosen by Beck in this song. The use of the bIII (borrowed) and ii chords provides a sense of tension while the I and IV chords add a sense of resolution.

Overall Analysis

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Style Analysis

Beck is known for blending various genres and experimenting with chord progressions that defy traditional classification. In “Say Goodbye,” he fuses elements of folk, blues, and pop with the unconventional chord progression. This combination contributes to a slightly melancholic and introspective mood, giving the song an evocative and memorable quality.

Chords in the Verse 3 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C