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The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

Beck – Say Goodbye – Verse 2

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I)
A# major (bIII)
A minor (ii)
C major (IV)
G major (I)
A# major (bIII)
A minor (ii)
C major (IV)

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Borrowed Chord: A# major (bIII)
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Similar Chord Progressions

1. Radiohead – “Creep”: [G major (I), B major (bIII), C major (IV), C minor (iv)]
2. David Bowie – “Heroes”: [D major (I), F# major (bIII), G major (IV), G minor (iv)]
3. The Beatles – “While My Guitar Gently Weeps”: [Am (i), A# major (bII), G (bVII), C (III)]

These songs feature similar chord progressions with a borrowed chord that adds an unexpected and powerful mood shift within their respective keys.

Musical Analysis

The progression begins with the tonic chord, G major, followed by a borrowed chord, A# major, before settling into the diatonic chords A minor and C major. The A# major adds a surprising and colorful twist to the otherwise standard progression in the key of G major. The A# major chord acts as a borrowed chord from the parallel minor key of G minor, giving the progression a refreshing and emotionally complex quality. The repeated cycle of these chords lends a sense of development and movement throughout the verse.

Overall Analysis

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

Style Analysis

This chord progression showcases Beck’s experimental and creative approach to songwriting, as he is known for integrating various musical styles and influences. This particular progression has a slight touch of classical influence due to the functional aspect of the chords, but it also carries a hint of pop-rock sensibility. The use of a borrowed chord, like the A# major in this case, is a technique commonly found in many contemporary music genres, which adds emotional depth and contrast to a song.

Chords in the Verse 2 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C