Search

Related Music Theory Alchemy

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

**

The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

**

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Beck – Say Goodbye – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I)
A# major (bIII)
A minor (ii)
C major (IV)
G major (I)
A# major (bIII)
A minor (ii)
C major (IV)

“`
Borrowed Chord: A# major (bIII)
“`

Similar Chord Progressions

1. Radiohead – “Creep”: [G major (I), B major (bIII), C major (IV), C minor (iv)]
2. David Bowie – “Heroes”: [D major (I), F# major (bIII), G major (IV), G minor (iv)]
3. The Beatles – “While My Guitar Gently Weeps”: [Am (i), A# major (bII), G (bVII), C (III)]

These songs feature similar chord progressions with a borrowed chord that adds an unexpected and powerful mood shift within their respective keys.

Musical Analysis

The progression begins with the tonic chord, G major, followed by a borrowed chord, A# major, before settling into the diatonic chords A minor and C major. The A# major adds a surprising and colorful twist to the otherwise standard progression in the key of G major. The A# major chord acts as a borrowed chord from the parallel minor key of G minor, giving the progression a refreshing and emotionally complex quality. The repeated cycle of these chords lends a sense of development and movement throughout the verse.

Overall Analysis

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

Style Analysis

This chord progression showcases Beck’s experimental and creative approach to songwriting, as he is known for integrating various musical styles and influences. This particular progression has a slight touch of classical influence due to the functional aspect of the chords, but it also carries a hint of pop-rock sensibility. The use of a borrowed chord, like the A# major in this case, is a technique commonly found in many contemporary music genres, which adds emotional depth and contrast to a song.

Chords in the Verse 2 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C