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Related Music Theory Alchemy

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Beck – Say Goodbye – Verse 2

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I)
A# major (bIII)
A minor (ii)
C major (IV)
G major (I)
A# major (bIII)
A minor (ii)
C major (IV)

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Borrowed Chord: A# major (bIII)
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Similar Chord Progressions

1. Radiohead – “Creep”: [G major (I), B major (bIII), C major (IV), C minor (iv)]
2. David Bowie – “Heroes”: [D major (I), F# major (bIII), G major (IV), G minor (iv)]
3. The Beatles – “While My Guitar Gently Weeps”: [Am (i), A# major (bII), G (bVII), C (III)]

These songs feature similar chord progressions with a borrowed chord that adds an unexpected and powerful mood shift within their respective keys.

Musical Analysis

The progression begins with the tonic chord, G major, followed by a borrowed chord, A# major, before settling into the diatonic chords A minor and C major. The A# major adds a surprising and colorful twist to the otherwise standard progression in the key of G major. The A# major chord acts as a borrowed chord from the parallel minor key of G minor, giving the progression a refreshing and emotionally complex quality. The repeated cycle of these chords lends a sense of development and movement throughout the verse.

Overall Analysis

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

Style Analysis

This chord progression showcases Beck’s experimental and creative approach to songwriting, as he is known for integrating various musical styles and influences. This particular progression has a slight touch of classical influence due to the functional aspect of the chords, but it also carries a hint of pop-rock sensibility. The use of a borrowed chord, like the A# major in this case, is a technique commonly found in many contemporary music genres, which adds emotional depth and contrast to a song.

Chords in the Verse 2 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C