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Related Music Theory Alchemy

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

Weezer – The Good Life – Verse 2

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Chord Progression

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7

Chord Progression Analysis

The chord progression follows a I-V-ii-VI pattern for most of the verse, creating a sense of harmonic stability and motion. The use of the VI chord (E Major) instead of the more typical vi chord (E minor) in the key of G major provides a touch of brightness and an uplifting quality to the progression.

The appearance of the borrowed chord (B7) towards the end of the verse adds a momentary touch of tension before resolving to the next section or back to the I chord (G Major), providing a sense of resolution and completion.

Similar Chord Progressions

Musical Analysis

This chord progression is common in pop-rock music and can be found in numerous songs across various genres. Weezer, as a band, often makes use of simple and catchy chord progressions in their songs, which helps give “The Good Life” its accessible and memorable quality.

Overall Analysis

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

Style Analysis

1. “With or Without You” by U2
This song features a similar I-V-vi-IV progression in the key of D major:
D Major (I) – A Major (V) – B minor (vi) – G Major (IV)

2. “Stand by Me” by Ben E. King
The progression in this classic song is I-vi-IV-V in the key of A major, with an additional borrowed V/V chord:
A Major (I) – F# minor (vi) – D Major (IV) – E Major (V) – B7 (`V7/V`)

Chords in the Verse 2 section of The Good Life by Weezer are:

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7