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The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

Beck – Say Goodbye – Verse 3

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

“`
G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV) – G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV)
“`

Similar Chord Progressions

1. Radiohead – Karma Police (Verse):
“`
A minor (i) – A# Major (bII) – G Major (bVII) – D Major (IV)
“`
2. The Beatles – While My Guitar Gently Weeps (Verse):
“`
A minor (i) – A major (V/V) – A# Major (bII) – G Major (bVII) – C Major (III) – E Major (V)
“`

These songs feature similar chord progressions that include borrowed chords and unconventional progressions that challenge traditional harmony. They blend different styles and evoke emotional depth through the use of non-diatonic chords.

Musical Analysis

This progression begins with a G Major chord that establishes the tonal center. The second chord, A# Major, is borrowed from the parallel minor key of G minor and creates a chromatic departure from the diatonic scale. The A# Major serves as a pivotal chord leading to the Am which is diatonic. We then transition to the C Major chord which provides a sense of resolution.

The progression repeats with the same chords, further emphasizing the uniqueness of the chords chosen by Beck in this song. The use of the bIII (borrowed) and ii chords provides a sense of tension while the I and IV chords add a sense of resolution.

Overall Analysis

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Style Analysis

Beck is known for blending various genres and experimenting with chord progressions that defy traditional classification. In “Say Goodbye,” he fuses elements of folk, blues, and pop with the unconventional chord progression. This combination contributes to a slightly melancholic and introspective mood, giving the song an evocative and memorable quality.

Chords in the Verse 3 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C