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Related Music Theory Alchemy

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The Beatles – And I Love Her – Verse 3

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Chord Progression

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]

Chord Progression Analysis

– F#m (‘ii’)
– C#m (‘vi’)
– F#m (‘ii’)
– C#m (‘vi’)
– F#m (‘ii’)
– C#m (‘vi’)
– A (‘IV’)
– B7 (‘V7’)
– E6 (‘I6’)

Borrowed Chord: `E6 (‘I6’)`

Similar Chord Progressions

– “Every Breath You Take” by The Police: Em, C, D, G (‘vi-IV-V-I’).
– “With or Without You” by U2: D, A, Bm, G (‘I-V-vi-IV’).
This includes the similar use of diatonic chords and a major tonality, although the cycle of movements are different.
– “I Don’t Want to Miss a Thing” by Aerosmith: D, E, Bm, G (‘I-II-vi-IV’).
This progression is somewhat similar although it begins with the tonic chord and features a major II chord before moving to the vi chord.

These progressions were chosen due to their similar use of diatonic chords in major keys and the movement patterns. Although not identical, they share the common theme of incorporating non-diatonic chords and/or unexpected chord movements.

Musical Analysis

The song starts in the minor mode, and the use of mediant relationships between chords F#m and C#m help create a haunting and melancholic mood. This technique is one that is often associated with classical compositions, and is not as common in popular music. This passage leads into the A Major chord, adding a touch of brightness before leading into the perfect cadence of B7 to E, providing a sense of resolution.

Interestingly, the song ends on an E6, a borrowed chord from the parallel minor, which gives a subtly ‘unfinished’ feeling. This could be seen as a reflection of the unending nature of love expressed in the song’s lyrics.

Overall Analysis

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

Style Analysis

“And I Love Her” is a perfect example of The Beatles’ knack for utilizing sophisticated harmonic structures within the pop genre. The use of ii-vi-IV-V7-I progression, which is closely aligned to a typical cycle of fifths found in jazz, demonstrates the Beatles’ diverse range of influences.

Chords in the Verse 3 section of And I Love Her by The Beatles are:

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]