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Related Music Theory Alchemy

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

Pink Floyd – Time – Verse 3

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Chord Progression

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm

Chord Progression Analysis

Here is the chord progression with full chord names and their Roman numerals:
“`
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
C major 7 (‘VI7’),
B minor 7 (‘v7’),
F major 7 (‘♭II7’),
G major (‘III’),
D7#9 (‘♭V7#9’),
D7b9 (‘♭V7♭9’),
B minor (‘v’)
“`

Borrowed Chord:
“`
Fmaj7 (‘♭II7’)
— Borrowed from the E Phrygian mode
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
“`
A minor (‘i’),
G minor (‘♭III’),
F major 7 (‘VI7’),
F minor/M7 (‘vi7’),
A minor (‘i’)
“`

2. The Beatles – “Strawberry Fields Forever”:
“`
E minor (‘i’),
D major (‘VII’),
G major (‘III’),
A major (‘IV’)
“`

3. Genesis – “Firth of Fifth”:
“`
A minor (‘i’),
G major (‘VII’),
F major (‘VI’),
E minor (‘v’)
“`

Musical Analysis

This chord progression starts with a pattern of alternating between the Em7 and A chords, creating a sense of uncertainty and suspense. It then moves into the Cmaj7, which functions as a pivot to the v7 chord (Bm7). Following this, the Fmaj7 (borrowed from E Phrygian mode) creates a sense of tension before leading to the G major chord, providing resolution. The progression ends with two altered dominant chords, D7#9 and D7b9, further increasing the tension before ultimately resolving to B minor.

Overall Analysis

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

Style Analysis

“Time” is a prime example of Pink Floyd’s progressive rock style. The song features complex harmonies, explorations of non-diatonic chords, and unconventional chord progressions. The song also showcases the band’s penchant for using meaningful lyrics and storytelling, as well as blending rock and psychedelic elements with lush orchestration.

Chords in the Verse 3 section of Time by Pink Floyd are:

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm