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“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

Pink Floyd – Time – Verse 3

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Chord Progression

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm

Chord Progression Analysis

Here is the chord progression with full chord names and their Roman numerals:
“`
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
E minor 7 (‘i7’),
A major (‘IV’),
C major 7 (‘VI7’),
B minor 7 (‘v7’),
F major 7 (‘♭II7’),
G major (‘III’),
D7#9 (‘♭V7#9’),
D7b9 (‘♭V7♭9’),
B minor (‘v’)
“`

Borrowed Chord:
“`
Fmaj7 (‘♭II7’)
— Borrowed from the E Phrygian mode
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
“`
A minor (‘i’),
G minor (‘♭III’),
F major 7 (‘VI7’),
F minor/M7 (‘vi7’),
A minor (‘i’)
“`

2. The Beatles – “Strawberry Fields Forever”:
“`
E minor (‘i’),
D major (‘VII’),
G major (‘III’),
A major (‘IV’)
“`

3. Genesis – “Firth of Fifth”:
“`
A minor (‘i’),
G major (‘VII’),
F major (‘VI’),
E minor (‘v’)
“`

Musical Analysis

This chord progression starts with a pattern of alternating between the Em7 and A chords, creating a sense of uncertainty and suspense. It then moves into the Cmaj7, which functions as a pivot to the v7 chord (Bm7). Following this, the Fmaj7 (borrowed from E Phrygian mode) creates a sense of tension before leading to the G major chord, providing resolution. The progression ends with two altered dominant chords, D7#9 and D7b9, further increasing the tension before ultimately resolving to B minor.

Overall Analysis

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

Style Analysis

“Time” is a prime example of Pink Floyd’s progressive rock style. The song features complex harmonies, explorations of non-diatonic chords, and unconventional chord progressions. The song also showcases the band’s penchant for using meaningful lyrics and storytelling, as well as blending rock and psychedelic elements with lush orchestration.

Chords in the Verse 3 section of Time by Pink Floyd are:

Em7, A, Em7, A, Em7, A, Em7, A, Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9, Bm