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Related Music Theory Alchemy

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

Muse – New Born – Verse 2

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Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III)

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B major (‘V/vi’)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”
E minor (i) – A major (‘IV/iv’) – E minor (i) – B major (‘V/vi’)
2. The Beatles – “While My Guitar Gently Weeps”
A minor (i) – A major (‘III/III’) – A minor (i) – G major (VII)
3. Nirvana – “Smells Like Teen Spirit”
F minor (i) – B major (‘V/v’) – A♭ major (VI) – D♭ major (♭II)

These examples showcase chord progressions that incorporate borrowed chords or unusual harmonic relationships, much like the progression found in Muse’s “New Born.”

Musical Analysis

The sequence begins with the i (E minor) chord and alternates between E minor and B major (‘V/vi’) four times, creating a tension between these two chords. The B major chord is borrowed from the parallel major scale, E major. It leads nicely back to the tonic (Em) as a secondary dominant. The pattern then shifts to the VI (C major) and III (G major) chords, providing a brief sense of resolution before moving back to the borrowed B major chord, introducing tension once again. This 8-chord sequence repeats four times in the verse.

Overall Analysis

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

Style Analysis

Muse is known for their eclectic mix of genres, including rock, classical, electronica, and even film scores. In “New Born,” their use of borrowed chords, along with the alternation between E minor and B major throughout most of the verse, reflects their penchant for unconventional, dramatic, and intense sounds. The progression not only conveys tension but also showcases the band’s creativity in exploring unusual harmonic relationships.

Chords in the Verse 2 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G