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The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

Muse – New Born – Verse 2

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Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III)

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B major (‘V/vi’)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”
E minor (i) – A major (‘IV/iv’) – E minor (i) – B major (‘V/vi’)
2. The Beatles – “While My Guitar Gently Weeps”
A minor (i) – A major (‘III/III’) – A minor (i) – G major (VII)
3. Nirvana – “Smells Like Teen Spirit”
F minor (i) – B major (‘V/v’) – A♭ major (VI) – D♭ major (♭II)

These examples showcase chord progressions that incorporate borrowed chords or unusual harmonic relationships, much like the progression found in Muse’s “New Born.”

Musical Analysis

The sequence begins with the i (E minor) chord and alternates between E minor and B major (‘V/vi’) four times, creating a tension between these two chords. The B major chord is borrowed from the parallel major scale, E major. It leads nicely back to the tonic (Em) as a secondary dominant. The pattern then shifts to the VI (C major) and III (G major) chords, providing a brief sense of resolution before moving back to the borrowed B major chord, introducing tension once again. This 8-chord sequence repeats four times in the verse.

Overall Analysis

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

Style Analysis

Muse is known for their eclectic mix of genres, including rock, classical, electronica, and even film scores. In “New Born,” their use of borrowed chords, along with the alternation between E minor and B major throughout most of the verse, reflects their penchant for unconventional, dramatic, and intense sounds. The progression not only conveys tension but also showcases the band’s creativity in exploring unusual harmonic relationships.

Chords in the Verse 2 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G