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Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

Muse – Cant Take My Eyes Off You – Verse 2

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Chord Progression

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C

Chord Progression Analysis

C Major (‘I’), C Major 7 (‘IMaj7’), C Dominant 7 (‘I7’), F Major (‘IV’), F minor (‘iv’), C Major (‘I’), D Major (‘V/V’), D minor 7♭5 (‘ii7♭5’), C Major (‘I’)

Similar Chord Progressions

1. “My Funny Valentine” (Richard Rodgers and Lorenz Hart)
Chord progression: C minor (‘i’), Dm7♭5 (‘ii7♭5’), G7 (‘V7’), C minor (‘i’), E♭ Major (‘♭III’), A♭ Major (‘♭VI’), G7 (‘V7’), C minor (‘i’)

2. “Autumn Leaves” (Joseph Kosma)
Chord progression: C minor (‘i’), F7 (‘V7/♭VII’), B♭ Major 7 (‘♭VII’), E♭ Major 7 (‘♭III’), Aø7 (‘iv7♭5’), D7 (‘V7/V’), G minor (‘v’), G7 (‘V7’)

These songs demonstrate similar elements of jazz harmony and the use of extended and altered chords. They also exhibit secondary dominants and borrowed chords in their chord progressions like “Can’t Take My Eyes Off You” by Muse.

Musical Analysis

The progression starts with a C Major chord (I chord) followed by an embellishment by moving to Cmaj7, which creates a soothing transition. It then moves to the C7 (I7), which acts as a secondary dominant, leading to F Major (IV).

The next chord is F minor, a borrowed chord from the parallel minor key (C minor). This creates a moody and slightly unexpected shift, since the natural minor iv chord is relatively uncommon in major key progressions but provides a sense of contrast and emotional impact. The progression then returns to the I chord, C Major.

D Major (V/V) is a secondary dominant in the key of C, leading to the Dm7♭5 chord (ii7♭5). This ii7♭5 chord creates a smooth transition back to the I chord (C Major) and adds jazzier harmonic flavors compared to the more predictable ii chord (D minor).

Overall Analysis

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

Style Analysis

“Can’t Take My Eyes Off You” draws heavily from pop, jazz, and lounge music genres, featuring the use of extended and altered chords which create smooth and expressive transitions. Its distinct harmonic choices, such as the borrowed iv chord, provide a certain emotional complexity and unpredictability that is characteristic of these genres.

Chords in the Verse 2 section of Cant Take My Eyes Off You by Muse are:

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C