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Related Music Theory Alchemy

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

“Another Brick In The Wall Part 2” is a song by Pink Floyd from their 1979 album “The Wall.” It is a rock song with elements of funk and progressive rock, featuring a catchy guitar riff, memorable bassline, and a guitar solo. The song is characterized by its anti-establishment message and satirical lyrics about the educational system, and it explores themes of isolation and conformity. The music provides a strong foundation for the message, with a somewhat ominous tone that complements the lyrics’ dark subject matter.

“While My Guitar Gently Weeps” by The Beatles is in the minor mode and its chord progression showcases rich harmonic content and unexpected key changes, common to The Beatles’ music. Harmonically, it features an interesting mixture of chords from the parallel major and minor keys, which is indicative of modal interchange, a key characteristic of The Beatles’ songwriting.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

Pink Floyd – Breathe – Chorus 1

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Chord Progression

Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9

Chord Progression Analysis

C Major 7 (I) – B Minor 7 (ii♭) – F Major 7 (IV♭) – G Major (V) – D7♯9 (V7/ii) – D7♭9 (V7♭9/ii)

Borrowed Chords:
“`
B Minor 7 (ii♭)
F Major 7 (IV♭)
“`

Similar Chord Progressions

1. Steely Dan – “Peg”
Chorus Chord Progression:
D Major 7 (I) – Db7♯9 (V7♯9/V) – Cmaj7 (IV♭) – Bm7 (iii) – Em7 (vi) – A13 (V9)

2. The Beatles – “Something”
Bridge Chord Progression:
E♭maj7 (I♭) – A♭maj7 (IV) – B♭7 (V) – E♭maj7 (I♭) – Gm7 (iii♭) – E♭maj7 (I♭) – A♭maj7 (IV) – B♭7 (V)

These examples contain some similar elements, including the use of major and minor seventh chords and unexpected harmonic turns, which are also found in the chorus of Pink Floyd’s “Breathe.”

Musical Analysis

The chord progression starts with the tonic Cmaj7, providing a stable and established tonal center. The following Bm7 is a borrowed chord from the parallel minor, C minor, and introduces chromaticism and tension. The Fmaj7 is another borrowed chord from C minor, providing a temporary sense of resolution with its smooth and calm character.

The G major chord acts as the dominant V in the key of C major, pointing to the eventual resolution, but the progression takes an unexpected turn with the D7♯9. This D7♯9 is an altered dominant chord resolving to the Bm7, functioning as the secondary dominant (V7/ii). The D7♭9 then replaces the previously mentioned D7♯9, which is another altered dominant chord, creating more dissonance while maintaining the same function.

Overall Analysis

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

Style Analysis

“Breathe” showcases Pink Floyd’s blending of rock, blues, and jazz elements in a psychedelic context. The use of major and minor seventh chords, dominant alterations, and borrowed chords create a lush and dreamy atmosphere that is characteristic of their music. The harmonic structure is unique and contains unexpected twists, adding to the depth and expressiveness of their compositions.

Chords in the Chorus 1 section of Breathe by Pink Floyd are:

Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9