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Related Music Theory Alchemy

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

The song “Killer Queen” by Queen is primarily set in the key of F Major, while the Chorus 1 is in the key of G Major. The song’s harmonic voice leading and progressions reveal a sophisticated and nuanced approach that involves a continuous change of tonal center and utilization of secondary dominant and borrowed chords.

Pink Floyd – Breathe – Chorus 1

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Chord Progression

Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9

Chord Progression Analysis

C Major 7 (I) – B Minor 7 (ii♭) – F Major 7 (IV♭) – G Major (V) – D7♯9 (V7/ii) – D7♭9 (V7♭9/ii)

Borrowed Chords:
“`
B Minor 7 (ii♭)
F Major 7 (IV♭)
“`

Similar Chord Progressions

1. Steely Dan – “Peg”
Chorus Chord Progression:
D Major 7 (I) – Db7♯9 (V7♯9/V) – Cmaj7 (IV♭) – Bm7 (iii) – Em7 (vi) – A13 (V9)

2. The Beatles – “Something”
Bridge Chord Progression:
E♭maj7 (I♭) – A♭maj7 (IV) – B♭7 (V) – E♭maj7 (I♭) – Gm7 (iii♭) – E♭maj7 (I♭) – A♭maj7 (IV) – B♭7 (V)

These examples contain some similar elements, including the use of major and minor seventh chords and unexpected harmonic turns, which are also found in the chorus of Pink Floyd’s “Breathe.”

Musical Analysis

The chord progression starts with the tonic Cmaj7, providing a stable and established tonal center. The following Bm7 is a borrowed chord from the parallel minor, C minor, and introduces chromaticism and tension. The Fmaj7 is another borrowed chord from C minor, providing a temporary sense of resolution with its smooth and calm character.

The G major chord acts as the dominant V in the key of C major, pointing to the eventual resolution, but the progression takes an unexpected turn with the D7♯9. This D7♯9 is an altered dominant chord resolving to the Bm7, functioning as the secondary dominant (V7/ii). The D7♭9 then replaces the previously mentioned D7♯9, which is another altered dominant chord, creating more dissonance while maintaining the same function.

Overall Analysis

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

Style Analysis

“Breathe” showcases Pink Floyd’s blending of rock, blues, and jazz elements in a psychedelic context. The use of major and minor seventh chords, dominant alterations, and borrowed chords create a lush and dreamy atmosphere that is characteristic of their music. The harmonic structure is unique and contains unexpected twists, adding to the depth and expressiveness of their compositions.

Chords in the Chorus 1 section of Breathe by Pink Floyd are:

Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9