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Related Music Theory Alchemy

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

Muse – Apocalypse Please – Verse 2

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

F#m/C (vi6/4), C# (V), F#m/C# (vi6/5), C# (V), F#m (vi), C# (V), F#m (vi), C# (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
Em7/G (v6/4), G (I), Em7/G# (v6/5), G (I), Em (v), G (I), Em (v), G (I)

2. Queen – “Bohemian Rhapsody” (verse section):
Bb6/D (IV6/4), Eb (V), Bb6/Db (IV6/5), Eb (V), Bb (IV), Eb (V), Bb (IV), Eb (V)

These examples feature chord progressions with similar harmonic structures and use of inversions. Both Radiohead and Queen have a similar tendency to incorporate classical and progressive elements into their music like Muse.

Musical Analysis

The chord progression is based in the key of A major, with F#m being the relative minor. It starts with a first inversion of F#m chord (F#m/C), which serves as a vi6/4 in A major. This is followed by a C# major chord, functioning as the dominant (V) in the key of F# minor.

The progression then moves to a second inversion of F#m (F#m/C#), also known as the vi6/5, which is a less common inversion and adds harmonic interest. This is followed by another C# major chord (V).

The rest of the progression follows a simple alternating pattern between F#m (vi) and C# (V), reinforcing the harmonic relationship between the relative minor and the dominant chords.

Overall Analysis

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Style Analysis

Muse is known for their unique blend of progressive rock, classical influences, and electronic elements. This chord progression is a prime example of their style. The use of inverted slash chords and the chromatic movement provide a sense of unpredictability and intensity, which is a signature trait in their music. The combination of diatonic and chromatic chords creates strong tension and resolution throughout the progression.

Chords in the Verse 2 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#