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The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

Muse – Apocalypse Please – Outro

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Chord Progression

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5

Chord Progression Analysis

C#5 (‘I5’), F#m/C# (‘ii2’), C#5 (‘I5’), F#m (‘ii’), D5 (‘bIV5’), B5 (‘bvi5’), C#5 (‘I5’), F#5 (‘IV5’)

Similar Chord Progressions

1. Radiohead – Karma Police:
Am (‘I’), G (‘bVII’), D (‘IV’), G (‘bVII’), C (‘bIII’), Bm (‘ii’), E (‘V’)

2. The Beatles – Let It Be:
C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’), C (‘I’), G (‘V’), F (‘IV’), C (‘IV’)

3. Red Hot Chili Peppers – Under The Bridge:
Dmaj7 (‘IVmaj7’), F#m7 (‘vi7’), Gmaj7 (‘bVII7’), Am7 (‘i7’)

Note that these chord progressions are not exactly the same but do share similar elements with the progression in Muse’s “Apocalypse Please,” such as the use of power chords, diatonic chords with occasional chromatic movement, and rock/pop influences.

Musical Analysis

The chord progression starts with C#5, a power chord rooted in the home key of C# minor, which then moves to F#m/C#, the iim7 of the key, with the same C# root note. This creates a sense of tension and movement, despite the shared root note. The progression then continues with C#5 and F#m again, maintaining this tension and resolution dynamic.

The next chord, D5, contains a chromatic note (D natural) as it is the flattened 4th scale degree, acting as a bIV5 chord. This creates more tension and a sense of dissonance in the music. Following D5, we have B5, a power chord version of the vi7 chord in C# minor (instead of Bm as it would be borrowed from the parallel major). The chord progression concludes with the familiar C#5 and F#5, making the connection with the previous repetitions and resolving to the IV5 chord to finish.

Overall Analysis

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Style Analysis

The inclusion of power chords (5 chords) and the driving rhythm make this progression distinctly rock-based. Muse is known for blending rock elements with other genres like classical and pop, and this is evident in the chord progression. The use of mostly diatonic chords with some chromatic movement is a common occurrence in Muse’s music, creating moments of tension and resolution.

Chords in the Outro section of Apocalypse Please by Muse are:

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5