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The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

“When Doves Cry” by Prince features an unorthodox chord progression compared to many pop or rock songs from the era. The chord progression in the Outro as well as throughout the song remains constant, which underscores the plaintive mood of the song and lyrics. The progression: Em – F – G in the Outro contains borrowed chords from the parallel minor. This introduces a sense of ambiguity to the overall tonality.

“Set Fire To The Rain” is a song that largely follows the conventions of pop music, with its simple and repetitive chord progressions echoing those in many similar genres. The chord progression observed in the Outro is primarily a combination of minor and major chords that provide a melancholic and intense undertone to the song’s overall theme. The song is in the key of A minor and the chord progression in the Outro starts on the key’s root chord (‘Am’).

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

Muse – Apocalypse Please – Outro

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Chord Progression

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5

Chord Progression Analysis

C#5 (‘I5’), F#m/C# (‘ii2’), C#5 (‘I5’), F#m (‘ii’), D5 (‘bIV5’), B5 (‘bvi5’), C#5 (‘I5’), F#5 (‘IV5’)

Similar Chord Progressions

1. Radiohead – Karma Police:
Am (‘I’), G (‘bVII’), D (‘IV’), G (‘bVII’), C (‘bIII’), Bm (‘ii’), E (‘V’)

2. The Beatles – Let It Be:
C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’), C (‘I’), G (‘V’), F (‘IV’), C (‘IV’)

3. Red Hot Chili Peppers – Under The Bridge:
Dmaj7 (‘IVmaj7’), F#m7 (‘vi7’), Gmaj7 (‘bVII7’), Am7 (‘i7’)

Note that these chord progressions are not exactly the same but do share similar elements with the progression in Muse’s “Apocalypse Please,” such as the use of power chords, diatonic chords with occasional chromatic movement, and rock/pop influences.

Musical Analysis

The chord progression starts with C#5, a power chord rooted in the home key of C# minor, which then moves to F#m/C#, the iim7 of the key, with the same C# root note. This creates a sense of tension and movement, despite the shared root note. The progression then continues with C#5 and F#m again, maintaining this tension and resolution dynamic.

The next chord, D5, contains a chromatic note (D natural) as it is the flattened 4th scale degree, acting as a bIV5 chord. This creates more tension and a sense of dissonance in the music. Following D5, we have B5, a power chord version of the vi7 chord in C# minor (instead of Bm as it would be borrowed from the parallel major). The chord progression concludes with the familiar C#5 and F#5, making the connection with the previous repetitions and resolving to the IV5 chord to finish.

Overall Analysis

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Style Analysis

The inclusion of power chords (5 chords) and the driving rhythm make this progression distinctly rock-based. Muse is known for blending rock elements with other genres like classical and pop, and this is evident in the chord progression. The use of mostly diatonic chords with some chromatic movement is a common occurrence in Muse’s music, creating moments of tension and resolution.

Chords in the Outro section of Apocalypse Please by Muse are:

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5