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The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

“Set Fire To The Rain” is a song that largely follows the conventions of pop music, with its simple and repetitive chord progressions echoing those in many similar genres. The chord progression observed in the Outro is primarily a combination of minor and major chords that provide a melancholic and intense undertone to the song’s overall theme. The song is in the key of A minor and the chord progression in the Outro starts on the key’s root chord (‘Am’).

Kali Uchis – After The Storm – Outro

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Chord Progression

G#m7, A#m7, D#aug

Chord Progression Analysis

“`
G#m7 (i7),
A#m7 (ii7),
D#aug (V+)
“`

Similar Chord Progressions

1. “Remember Where You Are” by Jessie Ware
“`
Fmaj7 (I7),
G7 (II7),
Em7 (vi7),
Faug (V+)
“`

2. “Who Is It” by Michael Jackson
“`
Am7 (i7),
Bm7 (ii7),
Eaug (V+)
“`

3. “Chanel” by Frank Ocean
“`
Bmaj7 (IMaj7),
C#m7 (ii7),
F#7#5 (V7+)
“`

In each of these songs, the artists also use minor seventh and augmented chords for similar emotional effects and harmonic interest as in “After The Storm.” These chord progressions illustrate the influence of jazz harmony and neo-soul in contemporary music, showing a connection to Kali Uchis’ outro in “After The Storm.”

Musical Analysis

The progression starts with a G#m7 chord, which is the tonic minor seventh chord and conveys a stable and grounded sensation. Following this, the A#m7 serves as a neighboring supertonic, helping the music transition smoothly while maintaining the minor quality. Finally, the D#aug chord, a dominant augmented chord (V+), introduces the feeling of tension and urgency. It creates an expectation for a resolution back to the tonic, which may occur earlier in the song, but not in the outro.

Overall Analysis

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

Style Analysis

Kali Uchis is known for mixing various genres like R&B, soul, jazz, and hip-hop in her music. The use of minor seventh chords and an augmented dominant chord in this progression is reminiscent of neo-soul and jazz harmony, which often incorporates complex chords and dissonant elements for richer textures and emotional impact.

Chords in the Outro section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug