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Related Music Theory Alchemy

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

Kali Uchis – After The Storm – Outro

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Chord Progression

G#m7, A#m7, D#aug

Chord Progression Analysis

“`
G#m7 (i7),
A#m7 (ii7),
D#aug (V+)
“`

Similar Chord Progressions

1. “Remember Where You Are” by Jessie Ware
“`
Fmaj7 (I7),
G7 (II7),
Em7 (vi7),
Faug (V+)
“`

2. “Who Is It” by Michael Jackson
“`
Am7 (i7),
Bm7 (ii7),
Eaug (V+)
“`

3. “Chanel” by Frank Ocean
“`
Bmaj7 (IMaj7),
C#m7 (ii7),
F#7#5 (V7+)
“`

In each of these songs, the artists also use minor seventh and augmented chords for similar emotional effects and harmonic interest as in “After The Storm.” These chord progressions illustrate the influence of jazz harmony and neo-soul in contemporary music, showing a connection to Kali Uchis’ outro in “After The Storm.”

Musical Analysis

The progression starts with a G#m7 chord, which is the tonic minor seventh chord and conveys a stable and grounded sensation. Following this, the A#m7 serves as a neighboring supertonic, helping the music transition smoothly while maintaining the minor quality. Finally, the D#aug chord, a dominant augmented chord (V+), introduces the feeling of tension and urgency. It creates an expectation for a resolution back to the tonic, which may occur earlier in the song, but not in the outro.

Overall Analysis

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

Style Analysis

Kali Uchis is known for mixing various genres like R&B, soul, jazz, and hip-hop in her music. The use of minor seventh chords and an augmented dominant chord in this progression is reminiscent of neo-soul and jazz harmony, which often incorporates complex chords and dissonant elements for richer textures and emotional impact.

Chords in the Outro section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug