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Related Music Theory Alchemy

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

Kali Uchis – After The Storm – Outro

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Chord Progression

G#m7, A#m7, D#aug

Chord Progression Analysis

“`
G#m7 (i7),
A#m7 (ii7),
D#aug (V+)
“`

Similar Chord Progressions

1. “Remember Where You Are” by Jessie Ware
“`
Fmaj7 (I7),
G7 (II7),
Em7 (vi7),
Faug (V+)
“`

2. “Who Is It” by Michael Jackson
“`
Am7 (i7),
Bm7 (ii7),
Eaug (V+)
“`

3. “Chanel” by Frank Ocean
“`
Bmaj7 (IMaj7),
C#m7 (ii7),
F#7#5 (V7+)
“`

In each of these songs, the artists also use minor seventh and augmented chords for similar emotional effects and harmonic interest as in “After The Storm.” These chord progressions illustrate the influence of jazz harmony and neo-soul in contemporary music, showing a connection to Kali Uchis’ outro in “After The Storm.”

Musical Analysis

The progression starts with a G#m7 chord, which is the tonic minor seventh chord and conveys a stable and grounded sensation. Following this, the A#m7 serves as a neighboring supertonic, helping the music transition smoothly while maintaining the minor quality. Finally, the D#aug chord, a dominant augmented chord (V+), introduces the feeling of tension and urgency. It creates an expectation for a resolution back to the tonic, which may occur earlier in the song, but not in the outro.

Overall Analysis

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

Style Analysis

Kali Uchis is known for mixing various genres like R&B, soul, jazz, and hip-hop in her music. The use of minor seventh chords and an augmented dominant chord in this progression is reminiscent of neo-soul and jazz harmony, which often incorporates complex chords and dissonant elements for richer textures and emotional impact.

Chords in the Outro section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug