Music Theory Alchemy

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The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

Tyler, The Creator – Earfquake – Chorus

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb Major 7 (I7) – A Minor 7 (vi7/VI) – G Minor 7 (vi7) – A Minor 7 (vi7/VI) – Bb Major 7 (I7) – A Minor 7 (vi7/VI) – G Minor 7 (vi7) – A Minor 7 (vi7/VI)

Borrowed Chords:
`A Minor 7 (vi7/VI)`

Similar Chord Progressions

1. “One Last Cry” by Brian McKnight:
Bb Major 7 (I7) – G Minor 7 (vi7) – F Major 7 (V7) – E Minor 7 (iv7/IV) – Eb Major 9 (IVmaj9)

2. D’Angelo’s “Untitled (How Does It Feel)”:
C Major 7 (I7) – A Minor 7 (vi7) – E Minor 7 (iii7) – G Minor 7 (v7/V)

3. Erykah Badu’s “On & On”:
G Major 7 (I7) – A Minor 7 (ii7) – B Minor 7 (iii7) – E Minor 7 (vi7)

These examples demonstrate similar progressions featuring smooth 7th chords and a mixture of diatonic and borrowed chords, highlighting the influence of neo-soul and R&B in the songwriting style.

Musical Analysis

The progression commences with the I7 chord, Bbmaj7, establishing the tonal center in Bb Major. Following this, the progression moves to Am7, which is a borrowed chord from the parallel minor key (Bb minor). This borrowed chord adds a touch of melancholy, contributing to the overall neo-soul vibe of the piece. Subsequently, the progression leads to Gm7, the vi7 chord, providing a smooth descent from the previous chords. The progression then revisits the borrowed Am7 chord before it repeats the entire sequence once more.

Overall Analysis

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

Style Analysis

Tyler, The Creator, combines elements of neo-soul, R&B, and hip-hop in his work, and the chord progression in “Earfquake” aptly reflects these influences. The use of 7th chords provides a smooth and sophisticated harmonic texture, while the repetition gives the song a catchy and memorable quality. The presence of borrowed chords adds a sense of unpredictability and depth to the progression, a reflection of Tyler’s experimental and innovative approach to songwriting.

Chords in the Chorus section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, Bbmaj7, Am7, Gm7, Am7