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Related Music Theory Alchemy

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

Tyler, The Creator – Are We Still Friends – Chorus

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Chord Progression

E, E7, A, Am

Chord Progression Analysis

“`
– E Major (I)
– E7 (I7)
– A Major (IV)
– A minor (iv)
“`

“`
E7 is a borrowed chord from the E Mixolydian mode.
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
“`
– C Major (I)
– C7 (I7)
– F Major (IV)
– F minor (iv)
“`

2. Marvin Gaye – “Heard It Through the Grapevine”
“`
– C# Major (I)
– C#7 (I7)
– F# Major (IV)
– F# minor (iv)
“`

3. Stevie Wonder – “Lately”
“`
– G Major (I)
– G7 (I7)
– C Major (IV)
– C minor (iv)
“`

These examples show that the I – I7 – IV – iv progression has been used by various artists across different genres and time periods, demonstrating its versatility and effectiveness.

Musical Analysis

The chord progression begins with the I chord, E Major, which establishes a strong sense of tonality. The I chord then transitions to the I7 chord, E7, which introduces a tritone and adds some dissonance. This tension is resolved as the progression moves to the IV chord, A Major, which is a perfect fourth away from E Major. Finally, the progression takes an unexpected turn by moving to the iv chord, A minor, which adds a sense of melancholy to the progression. This modal borrowing from the parallel minor key (E minor) contributes to the emotional depth of the piece.

Overall Analysis

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Style Analysis

Tyler, The Creator is known for incorporating elements of diverse musical styles in his work, and this is evident in “Are We Still Friends.” The use of I – I7 – IV – iv progression is characteristic of R&B, soul, and some pop music, especially prominent in the 1960s and 1970s. The mixture of major and minor chords and the inclusion of borrowed chords from other modes adds a sense of harmonic complexity to the otherwise simple progression.

Chords in the Chorus section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am