Sigur Rós – Hoppipolla – Chorus
Hoppipolla < All Analyses
Chord Progression
B, F#, E, D#m, B, F#, E, F#
Chord Progression Analysis
B Major (I) – F# Major (V) – E Major (IV) – D# Minor (iii) – B Major (I) – F# Major (V) – E Major (IV) – F# Major (V)
Similar Chord Progressions
1. Coldplay – “Clocks”:
D Major (I) – A Major (V) – B Minor (vi) – G Major (IV) – D Major (I) – A Major (V) – B minor (vi) – A Major (V)
2. Radiohead – “Karma Police”:
A minor (i) – E minor/G (v/♭VII) – G Major (♭VII) – D Major (IV) – F# Minor (vi) – F Major (♭VI)
These two examples show similar cyclical chord progressions, with mixture of diatonic and borrowed chords, and a sense of constant motion. Although they are in different keys and feature slightly different progressions, the overall structure and harmonic movements have similarities to “Hoppipolla” by Sigur Rós, showcasing the versatility and emotional impact of such progressions in modern music.
Musical Analysis
The progression starts with the tonic chord, B Major (I), establishing the key of the piece. It then moves to the dominant chord, F# Major (V), creating a sense of tension. This tension is then temporarily resolved by moving to the subdominant E Major (IV) chord. The subsequent D# Minor (iii) can be seen as a borrowed chord from the parallel minor key (B minor).
The progression then cycles back to the tonic B Major (I), F# Major (V), and E Major (IV), creating a sense of familiarity and grounding. The progression ends with F# Major (V), which has a strong pull back to the tonic (B Major), making the progression cyclical and seamless.
Overall Analysis
The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.
Style Analysis
Sigur Rós is known for their atmospheric, ethereal, and cinematic sound, often using unique chord progressions, textures, and extended harmonies. In “Hoppipolla,” the band employs a mixture of diatonic chords and borrowing from the parallel minor to create a unique and lush progression that fits their signature style. Furthermore, the cyclical nature of the progression lends a sense of constant motion, adding to the overall mood of the piece.
What are the chords in: Sigur Rós – Hoppipolla – Chorus?
B, F#, E, D#m, B, F#, E, F#
