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Related Music Theory Alchemy

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

Jeff Buckley – Hallelujah – Chorus

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Chord Progression

F, Am, F, C, G, C, Am, C, Am

Chord Progression Analysis

F Major (IV) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I) – A minor (vi) – C Major (I) – A minor (vi)

Similar Chord Progressions

“Hallelujah” has influenced many artists, and its chord progression can be found in several popular songs, albeit with slight variations.

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

2. “Someone Like You” by Adele:
A Major (IV) – E Major (I) – F# minor (vi) – D Major (II) – A Major (IV) – E Major (I) – F# minor (vi) – D Major (II)

While neither of these progressions is identical to that of “Hallelujah,” they both contain elements of the original, such as a strong emphasis on the IV and vi chords, and the alternation between I and V or I and II chords. This underscores the enduring impact of “Hallelujah” on contemporary popular music.

Musical Analysis

The chorus begins with an F Major chord (IV), which has a strong pull back to the tonic (C Major, I). The subsequent A minor (vi) then acts as a substitute for F Major and effectively prolongs the subdominant, creating a sense of suspension. The progression then returns to F Major (IV) and resolves to the tonic (C Major, I). This is followed by a standard V-I cadence (G Major to C Major), reinforcing the tonal center.

The progression concludes with a series of alternating A minor (vi) and C Major (I) chords. This strikes a balance between stability and instability, providing a satisfying conclusion. It is important to note that the entire progression is composed of diatonic chords that belong to the key of C Major; no borrowed chords are present.

Overall Analysis

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Style Analysis

The chord progression is rooted in the pop/rock idiom, and the simplicity of the chords themselves is reminiscent of various traditions within popular music, including folk and gospel. Though “Hallelujah” is a deeply emotional song, the chorus’ straightforward progression allows the listener to focus on the poignant lyrics and Jeff Buckley’s expressive performance.

Chords in the Chorus section of Hallelujah by Jeff Buckley are:

F, Am, F, C, G, C, Am, C, Am