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Related Music Theory Alchemy

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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Tyler, The Creator – See You Again – Verse 1

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Chord Progression

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5

Chord Progression Analysis

The verse contains a rich sound due to the use of major and minor seventh chords. The use of borrowed chords and chromaticism highlights Tyler, The Creator’s inclination towards both jazz harmonies and pop songwriting. The use of the chromatic Fmaj7 chord often leaves the listener waiting for a resolution, and the return to the tonic F#maj7 provides a sense of relief.

Similar Chord Progressions

Musical Analysis

Tyler, The Creator is known for taking musical influences from various genres and blending them together. The jazz-influenced harmonies in “See You Again” are an example of Tyler’s eclecticism. This particular chord progression showcases a distinct pop structure that leans into the harmonic unpredictability of jazz, providing a unique and engaging listening experience.

Overall Analysis

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

Style Analysis

1. “I’ll Be Seeing You” by Billie Holiday
(Verse only)
– Fmaj7 (I)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– Am7 (iii7)
– Am7/D (iii7/VI)
– Dm7 (vi7)
– Dm7/G (vi7/ii)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– C7 (V7)
– Fmaj7 (I)

2. “Misty” by Erroll Garner (Verse only)
– Cmaj7 (I)
– Cmaj7/B (I6)
– Am7 (vi7)
– Am7/G (vi7/IV)
– Dm7 (ii7)
– Dm7/C (ii7/V)
– G7 (V7)
– Cmaj7 (I)

These examples capture some elements of Tyler, The Creator’s chord progression but vary in specific details. In both examples, the use of predominant seventh chords, chromaticism and borrowed chords can be observed, similarly highlighting the influences of jazz harmonies with pop sensibilities.

Chords in the Verse 1 section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5