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The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

Tyler, The Creator – See You Again – Verse 1

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Chord Progression

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5

Chord Progression Analysis

The verse contains a rich sound due to the use of major and minor seventh chords. The use of borrowed chords and chromaticism highlights Tyler, The Creator’s inclination towards both jazz harmonies and pop songwriting. The use of the chromatic Fmaj7 chord often leaves the listener waiting for a resolution, and the return to the tonic F#maj7 provides a sense of relief.

Similar Chord Progressions

Musical Analysis

Tyler, The Creator is known for taking musical influences from various genres and blending them together. The jazz-influenced harmonies in “See You Again” are an example of Tyler’s eclecticism. This particular chord progression showcases a distinct pop structure that leans into the harmonic unpredictability of jazz, providing a unique and engaging listening experience.

Overall Analysis

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

Style Analysis

1. “I’ll Be Seeing You” by Billie Holiday
(Verse only)
– Fmaj7 (I)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– Am7 (iii7)
– Am7/D (iii7/VI)
– Dm7 (vi7)
– Dm7/G (vi7/ii)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– C7 (V7)
– Fmaj7 (I)

2. “Misty” by Erroll Garner (Verse only)
– Cmaj7 (I)
– Cmaj7/B (I6)
– Am7 (vi7)
– Am7/G (vi7/IV)
– Dm7 (ii7)
– Dm7/C (ii7/V)
– G7 (V7)
– Cmaj7 (I)

These examples capture some elements of Tyler, The Creator’s chord progression but vary in specific details. In both examples, the use of predominant seventh chords, chromaticism and borrowed chords can be observed, similarly highlighting the influences of jazz harmonies with pop sensibilities.

Chords in the Verse 1 section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5