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“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

The Beatles – In My Life – Interlude

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Chord Progression

[‘A’, ‘E’]

Chord Progression Analysis

Interlude: A Major (I), E Major (V).

Here, the ‘A’ is the tonic chord (I), and ‘E’ is the dominant chord (V). The interlude progression provides a perfect cadence from V to I which is commonly found in many styles of western music. This resolves the musical tension and gives listeners a sense of resolution and homecoming.

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Borrowed Chord: None in this progression
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Similar Chord Progressions

Song: “Earth Angel” by The Penguins
Progression: D major (I), F# minor (vi), B minor (iii), G major (IV), A major (V), D major (I), G major (IV), A major (V).

Similar to “In My Life”, “Earth Angel” utilizes the I-vi-IV-V progression, a staple of doo-wop music from the 1950s. The song structure is straightforward, featuring a cycle of chords that constantly loop back to the beginning.

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Borrowed Chord: None in this progression
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Musical Analysis

“In My Life” is notable for its variety of chord progressions. The natural minor key is featured in the song; it provides the harmonic foundation in the verses and chorus. The occasional use of D minor borrowed chord from the parallel minor key gives the song an added depth and expresses a sense of longing or melancholy.

Overall Analysis

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

Style Analysis

The harmonic structure of “In My Life” embodies the maturation of the Beatles as songwriters. Their use of different key centers, clean transitions between keys, and incorporation of borrowed chords from the parallel minor show a departure from the traditional pop song structures. This mixture of major and minor modes may be seen as a sonic reflection of the mix of joy and melancholy expressed in the lyrics.

Chords in the Interlude section of In My Life by The Beatles are:

[‘A’, ‘E’]