Music Theory Alchemy

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“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

The Beatles – Eleanor Rigby – Verse 1

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Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]

Chord Progression Analysis

Here is the chord progression for Verse 1 with the full chord names.

Em (i), C (VI), C (VI), Em (i), Em (i), C (VI), Em (i)

Similar Chord Progressions

1. Radiohead’s song “Creep.” Although not the same, it follows a resonating pattern of switching between a minor chord (in this case G minor) and a major chord (B major).

G (I), B (III), C (IV), Cm (iv)

2. Johnny Cash’s “Hurt”. This song follows a similar pattern of oscillating between A minor and F major.

Am (i), C (III), D (IV), G (VII)

3. Lana Del Rey’s “Summertime Sadness” also follows a vaguely similar progression in B minor.

Bm (i), G (VI), D (III), A (VII)

The above examples demonstrate a similar treatment of minor-major chord oscillation in their progressions.

Musical Analysis

The song’s melancholic tonality is rooted in its E minor centricity and the cyclical pattern of moving between E minor and C major. The E minor chord works as the tonic (home chord), whereas the motion to C major provides a brief, partial sense of relief from the somber tonality of E minor. It is important to mention here that C Major is the relative major of E minor which adds to the continuity of the overall sound. The lack of chordal variation prominently focuses the listener’s attention on the melody and lyrics.

Overall Analysis

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

Style Analysis

The Beatles were known for their innovative use of chord progressions and exploratory approach to songwriting, in which regard, “Eleanor Rigby” stands out as one of their most unusual compositions. The absence of any traditional rock instrumentation (like drums, bass, or guitar) and featuring a double string quartet, adds a baroque/classical tinge making the song highly unorthodox for a pop/rock band in the late 1960s.

Chords in the Verse 1 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]