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Related Music Theory Alchemy

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

“When I Was Your Man” by Bruno Mars is in the key of C major. It is a ballad with a piano-led instrumentation, backed by Bruno’s powerful and emotive vocals. The melody and chords are relatively simple, but the lingering tone and the poignant lyrics create an emotionally resonant track. A common feature in this piece, as well as many pop songs in general, is the use of borrowed chords.

The Beatles – Eleanor Rigby – Verse 1

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Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]

Chord Progression Analysis

Here is the chord progression for Verse 1 with the full chord names.

Em (i), C (VI), C (VI), Em (i), Em (i), C (VI), Em (i)

Similar Chord Progressions

1. Radiohead’s song “Creep.” Although not the same, it follows a resonating pattern of switching between a minor chord (in this case G minor) and a major chord (B major).

G (I), B (III), C (IV), Cm (iv)

2. Johnny Cash’s “Hurt”. This song follows a similar pattern of oscillating between A minor and F major.

Am (i), C (III), D (IV), G (VII)

3. Lana Del Rey’s “Summertime Sadness” also follows a vaguely similar progression in B minor.

Bm (i), G (VI), D (III), A (VII)

The above examples demonstrate a similar treatment of minor-major chord oscillation in their progressions.

Musical Analysis

The song’s melancholic tonality is rooted in its E minor centricity and the cyclical pattern of moving between E minor and C major. The E minor chord works as the tonic (home chord), whereas the motion to C major provides a brief, partial sense of relief from the somber tonality of E minor. It is important to mention here that C Major is the relative major of E minor which adds to the continuity of the overall sound. The lack of chordal variation prominently focuses the listener’s attention on the melody and lyrics.

Overall Analysis

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

Style Analysis

The Beatles were known for their innovative use of chord progressions and exploratory approach to songwriting, in which regard, “Eleanor Rigby” stands out as one of their most unusual compositions. The absence of any traditional rock instrumentation (like drums, bass, or guitar) and featuring a double string quartet, adds a baroque/classical tinge making the song highly unorthodox for a pop/rock band in the late 1960s.

Chords in the Verse 1 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]