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Related Music Theory Alchemy

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

The Beatles – Eleanor Rigby – Verse 1

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Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]

Chord Progression Analysis

Here is the chord progression for Verse 1 with the full chord names.

Em (i), C (VI), C (VI), Em (i), Em (i), C (VI), Em (i)

Similar Chord Progressions

1. Radiohead’s song “Creep.” Although not the same, it follows a resonating pattern of switching between a minor chord (in this case G minor) and a major chord (B major).

G (I), B (III), C (IV), Cm (iv)

2. Johnny Cash’s “Hurt”. This song follows a similar pattern of oscillating between A minor and F major.

Am (i), C (III), D (IV), G (VII)

3. Lana Del Rey’s “Summertime Sadness” also follows a vaguely similar progression in B minor.

Bm (i), G (VI), D (III), A (VII)

The above examples demonstrate a similar treatment of minor-major chord oscillation in their progressions.

Musical Analysis

The song’s melancholic tonality is rooted in its E minor centricity and the cyclical pattern of moving between E minor and C major. The E minor chord works as the tonic (home chord), whereas the motion to C major provides a brief, partial sense of relief from the somber tonality of E minor. It is important to mention here that C Major is the relative major of E minor which adds to the continuity of the overall sound. The lack of chordal variation prominently focuses the listener’s attention on the melody and lyrics.

Overall Analysis

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

Style Analysis

The Beatles were known for their innovative use of chord progressions and exploratory approach to songwriting, in which regard, “Eleanor Rigby” stands out as one of their most unusual compositions. The absence of any traditional rock instrumentation (like drums, bass, or guitar) and featuring a double string quartet, adds a baroque/classical tinge making the song highly unorthodox for a pop/rock band in the late 1960s.

Chords in the Verse 1 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]