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Related Music Theory Alchemy

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

The Beatles – Eight Days A Week – Verse 2

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

Here is a detailed chord progression analysis list and the identified borrowed chords:
1. D (I)
2. E7 (II7)
3. G (IV)
4. D (I)
5. D (I)
6. E7 (II7)
7. G (IV)
8. D (I)

“`A borrowed chord occurs in this progression is: E7 which is a II7, borrowed from the D Mixolydian mode.“`

Similar Chord Progressions

The Beatles influenced a raft of artists who have used similar chord progressions in their work. The Kinks’ song “Waterloo Sunset” employs a similar progression: [‘D’, ‘E7’, ‘G’, ‘D’]. The song “Mr. Brightside” by The Killers also bares a resemblance, with a partial chord progression of [‘D’, ‘E’, ‘G’, ‘D’]. Remember that the reinterpretation of chord progressions in different compositions is a common practice in music.

Musical Analysis

The verse 2 chord progression creates a pleasing seesaw effect, toggling back and forth between familiar tonal centers. The E7 chord introduces an interesting touch as it functions as a secondary dominant (V/V), momentarily shifting our hearing towards the key of A. However, instead of resolving to A, it moves to G, a deceptive resolution that adds an unexpected twist. The E7 is also borrowed from the Mixolydian mode, blending in a bluesy element to the major tonality, whilst the D and G chords firmly anchor the song in the D major key.

Overall Analysis

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Style Analysis

Despite the straightforward melodies and harmonies, “Eight Days A Week” is a perfect example of the Beatles’ innovative approach to songwriting that pushed the boundaries of pop music. It uses an unusual blend of major/minor tonalities and modal interchange, something not commonly seen in music at the time. Reminiscent of the folk and country music from which they drew inspiration, the song transcends traditional stylistic boundaries, falling somewhere between pop, rock, and folk.

Chords in the Verse 2 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]