Music Theory Alchemy

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Patterns in music are fundamental for creating musical identity. This repetition ensures the music is coherent and familiar for the listener. In the case of “Perfect” by Smashing Pumpkins, the song makes use of a common popular music chord progression known as the I – vi progression.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

“You And Whose Army?” by Radiohead is an alternative rock song featuring an interesting chord progression in the bridge. The chord progression is characterized by its dynamic movement and integration of non-diatonic chords. The progression is in the key of C# minor, and it displays unique qualities that allow it to stand out from traditional chord progressions. The combination of borrowed chords and voice leading creates a sense of tension and excitement, which contributes to the song’s overall atmosphere.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

The Smashing Pumpkins – Perfect – Bridge

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Chord Progression

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]

Chord Progression Analysis

The bridge progression is as follows:

– G Major (IV)
– E minor (ii)
– D Major (I)
– G Major (IV)
– E minor (ii)
– D Major (I)
– B minor (vi)
– D Major (I)
– B minor (vi)

“`Borrowed Chord: None in this progression“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
– C Major (I)
– G Major (V)
– A minor (vi)
– F Major (IV)
– C Major (I)
– G Major (V)
– F Major (IV)
– C Major (I)

2. “Wonderwall” by Oasis:
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)

While these songs may not share the exact chord sequence with “Perfect” by The Smashing Pumpkins, they demonstrate similar use of IV – ii – I, and I – V – vi – IV progressions that provide a rich sonic environment and give a nod to the kind of nostalgic melancholy found in much of The Smashing Pumpkins’ music.

Musical Analysis

The bridge chord progression starts with the subdominant (G Major or IV), which then goes to the supertonic (E minor or ii), and resolves back to the tonic (D Major or I). This progression repeats once, before transitioning to the relative minor (B minor or vi), and then resolves back to the tonic (D Major or I), repeating again to finish the sequence.

The use of the relative minor (vi) provides a somber tonal shift in the composition, typical of Smashing Pumpkins’ introspective style. The IV – ii – I progression adds both a melodic interestingness and harmonic richness, leaning on the softer and more emotional side of the spectrum.

Overall Analysis

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

Style Analysis

The Smashing Pumpkins, especially in their earlier works, are known for their grunge-infused alternative rock sound, which frequently uses standard chord progressions but with twist to accommodate their unique sound. Billy Corgan, the band’s primary songwriter, often applies a sort of “sweet and sour” approach to his compositions, blending uplifting major chords with gloomy minor relatives to create a signature tension and release within his music.

Chords in the Bridge section of Perfect by The Smashing Pumpkins are:

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]