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Related Music Theory Alchemy

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

Tame Impala – Let It Happen – Verse 3

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]

Chord Progression Analysis

Here is the chord progression analysis for Verse 3:
“`
A (I)
F#m (vi)
G#sus4 (VII sus4)
“`

The song key is in A Major. Notably, the G#sus4 chord is a borrowed chord from A harmonic minor scale.

Similar Chord Progressions

Similar chord progressions are found in the songs ‘Strawberry Fields Forever’ by The Beatles, using a I – vi – iv progression, and ‘Wonderwall’ by Oasis, using a I – vi – IV – I – ii – IV progression. They present similarities since they use the primary and secondary triads in popular music structure. Nonetheless, it’s important to note the uniqueness of Tame Impala’s progression due to the substitute borrowed chord.

Musical Analysis

Tame Impala plays extensively with musical texture, underpinned by a constant percussive drive that provides momentum. The repetitive sequence of this chord progression underlines a cyclical motif, reflective of the song’s philosophical content. The use of the G#sus4 chord adds an unexpected tension and resolve into the familiar A and F#m chords, which carry the song’s melodic line.

Overall Analysis

Let It Happen’ by Tame Impala employs an accessible and effective chord progression, usual in pop/rock music, yet has unusualness due to the usage of the G#sus4 chord, providing a unique tonal flavor and emotional quality. There is a striking use of harmonic contrast and a continuous return and release of tension throughout the song. This creates an immersive cyclical quality, complementing the song’s theme of embracing inevitable moments and experiences.

Style Analysis

This progression is emblematic of Tame Impala’s style, who often blend accessible pop/rock structures with more complex, unexpected elements. The result is a sound that is instantly recognizable but never predictable. The production is heavily layered and psychedelic-inspired, with a significant use of electronic effects and a broad dynamic range.

Chords in the Verse 3 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]