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“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

“When Doves Cry” by Prince features an unorthodox chord progression compared to many pop or rock songs from the era. The chord progression in the Outro as well as throughout the song remains constant, which underscores the plaintive mood of the song and lyrics. The progression: Em – F – G in the Outro contains borrowed chords from the parallel minor. This introduces a sense of ambiguity to the overall tonality.

The Beach Boys – God Only Knows – Outro

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Chord Progression

[‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’]

Chord Progression Analysis

“`
– A (I)
– E/G# (V/vi)
– F#m7 (vi7)
– E/G# (V/vi)
“`

borrowed chords:
“`
E/G# (V/vi)
“`

Similar Chord Progressions

“Here, There and Everywhere” – The Beatles
Chord progression:
“`
‘G’ (I),
‘B/G’ (III/IV),
Am7 (ii7),
‘B/G’ (III/IV)
“`

“Can’t Help Falling in Love” – Elvis Presley
Chord progression:
“`
‘D’ (I),
‘B/D#’ (IV/V),
‘Em7’ (ii7),
‘B/D#’ (IV/V)
“`

Both of these songs by other artists feature similar use of inversions and seventh chords to create distinctive progressions. While each song is distinctive, they share common elements with the innovative sound of “God Only Knows”.

Musical Analysis

The outro begins with the A chord which is the tonic of the key the song is in (A major). The ‘E/G#’ is a first inversion dominant of the vi chord (F#m) and is also a borrowed chord. The ‘F#m7’ is just the vi chord with the added seventh. Again, we have the E/G# (V/vi), and this alternation creates a tension-like resolution fashion and adds an interesting twist to the traditional pattern of chordal shifts.

Overall Analysis

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

Style Analysis

The Beach Boys were known for their sophisticated, complex harmonies that pushed the boundaries of popular music in their era. One of the groundbreaking aspects of their work was their use of non-traditional chords and progressions in their music. This outro is one such example – it uses non-diatonic, borrowed chords to create a sound that is uniquely Beach Boys.

Chords in the Outro section of God Only Knows by The Beach Boys are:

[‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’]