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“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

Elton John – Goodbye Yellow Brick Road – Verse 1

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]

Chord Progression Analysis

“`markdown
Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Gm (iv), C (bVII/IV), F (bIII), Bb (bVI), Gm (iv), A7 (V7/V)
“`
In the provided progression, John frequently uses the secondary dominant, an A7 chord, which is used here as a V7 of the V (fifth of the fifth) chord, to create a pull towards the D major chord. The use of the bVII (C major), a borrowed chord from the parallel minor key of D minor, adds unexpected color and tension to the progression.

Similar Chord Progressions

Similar chord progressions can be found in pop music where the aim is to create a compelling melody with a mix of both standard and non-diatonic chords. “Let It Be” by The Beatles, for example, shares a similar use of the IV, I, and V7 structure, along with variation through non-diatonic chord choices. Billy Joel’s “She’s Always a Woman” also features a consistent modulation between major and relative minor keys, contributing to a similarly nostalgic feel.

Musical Analysis

A distinctive part of John’s style is his use of non-diatonic and chromatic chords to create depth and compose compelling melodies. Notably, the modulation to the relative minor key (B minor) and use of the borrowed bIii (F major) and bVI (Bb major) chords from the parallel minor key give this song a moody and nostalgic feel.

Overall Analysis

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Style Analysis

Elton John’s music often features charismatic melody lines with unique tonal qualities, largely as a result of his diverse chord choices. This song in particular embodies his penchant for drawing on a mix of major, minor, and borrowed chords to create rich, emotive soundscapes. Stylistically, the way he uses harmony to underscore the emotional tone of the lyrics is a standout feature of his work.

Chords in the Verse 1 section of Goodbye Yellow Brick Road by Elton John are:

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]