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Related Music Theory Alchemy

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

Elton John – Goodbye Yellow Brick Road – Verse 1

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]

Chord Progression Analysis

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Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Gm (iv), C (bVII/IV), F (bIII), Bb (bVI), Gm (iv), A7 (V7/V)
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In the provided progression, John frequently uses the secondary dominant, an A7 chord, which is used here as a V7 of the V (fifth of the fifth) chord, to create a pull towards the D major chord. The use of the bVII (C major), a borrowed chord from the parallel minor key of D minor, adds unexpected color and tension to the progression.

Similar Chord Progressions

Similar chord progressions can be found in pop music where the aim is to create a compelling melody with a mix of both standard and non-diatonic chords. “Let It Be” by The Beatles, for example, shares a similar use of the IV, I, and V7 structure, along with variation through non-diatonic chord choices. Billy Joel’s “She’s Always a Woman” also features a consistent modulation between major and relative minor keys, contributing to a similarly nostalgic feel.

Musical Analysis

A distinctive part of John’s style is his use of non-diatonic and chromatic chords to create depth and compose compelling melodies. Notably, the modulation to the relative minor key (B minor) and use of the borrowed bIii (F major) and bVI (Bb major) chords from the parallel minor key give this song a moody and nostalgic feel.

Overall Analysis

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Style Analysis

Elton John’s music often features charismatic melody lines with unique tonal qualities, largely as a result of his diverse chord choices. This song in particular embodies his penchant for drawing on a mix of major, minor, and borrowed chords to create rich, emotive soundscapes. Stylistically, the way he uses harmony to underscore the emotional tone of the lyrics is a standout feature of his work.

Chords in the Verse 1 section of Goodbye Yellow Brick Road by Elton John are:

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]