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Related Music Theory Alchemy

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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“Bohemian Rhapsody”, composed by Queen, is a powerful anthem that merges elements of rock, opera, and progressive music. The chord progression demonstrates a sophisticated understanding of voice leading and functional harmony, contributing to its distinctive sound. Famous for its key changes and thematic progressions, the composition is often cited as an example of Freddie Mercury’s musical genius.

Elton John – Your Song – Verse 1

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bmadd11/A’, ‘Bmadd11/G#’, ‘G’, ‘D/A’, ‘A’, ‘Asus2’, ‘F#’, ‘Bm’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Asus4’, ‘A’, ‘Asus2’]

Chord Progression Analysis

Here’s the list of chords you provided for Verse 1, with the Roman numeral analysis.

– D (‘I’)
– Gmaj7 (‘IVmaj7’)
– A/C# (‘V6’)
– F#m (‘iii’)
– Bm (‘vi’)
– Bmadd11/A (‘viadd11/5’)
– Bmadd11/G# (‘viadd11/#4’)
– G (‘IV’)
– D/A (‘I/5’)
– A (‘V’)
– Asus2 (‘Vsus2’)
– F# (‘III’)
– Bm (‘vi’)
– D (‘I’)
– Em (‘ii’)
– G (‘IV’)
– A (‘V’)
– Asus4 (‘Vsus4’)
– A (‘V’)
– Asus2 (‘Vsus2’)

Similar Chord Progressions

For similar chord progressions, we could look at these songs –

1. Let it Be – The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
2. Imagine – John Lennon: [‘C’, ‘Cmaj7’, ‘F’, ‘C/E’, ‘F’, ‘C/E’, ‘F’, ‘C’]

They share similar characteristic traits of augmentation, inversions and stepwise bass movement although they are not exactly identical.

Musical Analysis

The verse progression begins with a relatively straightforward I-IV-V, common in pop and rock music. However, the beauty lies in its creative use of various chord inversions and added note chords. For instance, the use of A/C# (‘V6’) and then transitioning to F#m (‘iii’) results in a smooth stepwise bass movement. Similarly, the use of Bmadd11/A and Bmadd11/G# gives the progression a sophisticated feel.

The ‘III’ chord or F#, is a ‘borrowed chord’ from D major’s parallel minor (D minor). It’s used to create a brief tension that is relieved immediately by moving to Bm (‘vi’) chord.

Overall Analysis

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

Style Analysis

The chord choices in “Your Song” reflect Elton John’s classical influences, yet maintain a pop sensibility. The added note chords and inversions provide an ornate harmonic texture typical of his style and the era in which the song was written. More importantly, the resultant stepwise bass movement and voice leading keep the progression engaging for the listeners.

Chords in the Verse 1 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bmadd11/A’, ‘Bmadd11/G#’, ‘G’, ‘D/A’, ‘A’, ‘Asus2’, ‘F#’, ‘Bm’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Asus4’, ‘A’, ‘Asus2’]