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“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.

The Beatles – Hey Jude – Chorus

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Chord Progression

[‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’, ‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’]

Chord Progression Analysis

“`
D Dominant 7th (V7 of IV), G
major (IV),
B minor (vi),
E minor (ii),
G major (IV),
A dominant 7th (V7),
D major (I),
D dominant 7th (V7 of IV),
G major (IV),
B minor (vi),
E minor (ii),
G major (IV),
A dominant 7th (V7),
D major (I)
“`

Borrowed chords: [‘D7’, ‘A7’]

Similar Chord Progressions

The Rolling Stones’ anthem “You Can’t Always Get What You Want” deploys a similar progression.
Chords: [‘C’, ‘F’, ‘D’, ‘G’, ‘C’, ‘C’, ‘F’, ‘D’]
“`
C Major (I),
F Major (IV),
D minor (ii),
G major (V),
C Major (I),
C Major (I),
F Major (IV),
D minor (ii)
“`

Brian Wilson’s “God Only Knows” from the Beach Boys also uses this technique of mixing major and minor keys.
Chords: [‘A’, ‘F#m’, ‘Bm’, ‘G’, ‘Gm’, ‘D’, ‘E7’, ‘A’]
“`
A Major (I),
F# minor (vi),
B minor (ii),
G Major (IV of IV, borrowed chord),
G minor (iv of IV, borrowed chord),
D Major (IV), E dominant 7th (V7),
A Major (I)
“`
Borrowed Chords: [‘G’, ‘Gm’]

Musical Analysis

Notably, the tune frequently switches to the IV (four) chord of G major and the V7 (five-seven) of A dominant 7th, creating a unique major/minor interplay, common in many rock and folk songs.

Overall Analysis

“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

Style Analysis

“Hey Jude” is known for its anthemic, singalong style, bolstered by the repetitive but emotionally resonant chord progression. The progression’s simple repetition and strong resolution (from the V7 to the I) lends the song a hopeful, uplifting atmosphere.

Chords in the Chorus section of Hey Jude by The Beatles are:

[‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’, ‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’]