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Related Music Theory Alchemy

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

The Verse 3 chord progression in Muse’s cover of “Can’t Take My Eyes Off You” is a fairly simple progression that features harmonic devices such as seventh chords, borrowed chords, and a half-diminished chord. This progression incorporates some jazz and pop influences into a stylistically cohesive and engaging harmonic landscape.

The Rolling Stones – Wild Horses – Verse 3

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Note the following chord names correspond to the Verse 3 progression.

B minor (iii), G Major (I), B minor (iii), G Major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V), B minor (iii), G major (I), B minor (iii), G major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V)

This shows a frequently alternating I-iii progression, which then passes to a fairly standard ii-IV-V-I cycle (A minor, C Major, D Major, G Major), with the addition of a V-I at the end that reaffirms the tonality.

In explaining borrowed chords, they are none in this particular progression. A borrowed chord, typically seen in popular music, comes from the parallel minor key. Here, all chords belong to the key of G Major.

Similar Chord Progressions

A number of other artists have used similar chord progressions, including:

– John Lennon’s “Imagine”, which uses a progression that includes the ii-IV-V-I cycle (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

– The Beatles’ “Let It Be”, which also features a ii-IV-V-I progression (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

Both of these songs, like “Wild Horses”, combine elements of rock, folk, and blues in their musical style.

Musical Analysis

From a musical perspective, it’s worth noting that the iii chord (Bm) lends an unexpected color to the tonality of the song, giving it a unique character. The ii-IV-V-I cycle creates a sense of forward motion and resolution, with the V-I at the end providing a satisfying sense of returning home.

Overall Analysis

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

Style Analysis

In terms of style, “Wild Horses” exhibits a clear influence from country and folk music, both in its chord progression and in its instrumentation (acoustic guitars, gentle percussion, and characteristic slide guitar). The use of the iii chord (Bm) also adds a touch of blues influence, which is a cornerstone of the Rolling Stones’ style.

Chords in the Verse 3 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]