Music Theory Alchemy

Search

Related Music Theory Alchemy

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.

Nine Inch Nails – Hurt – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘A’, ‘B’]

Chord Progression Analysis

Here are all the full chord names and their roman numerals.

“`
B minor (i)
G Major (VI)
D Major (III)
A Major (VII)

B minor (i)
G Major (VI)
D Major (III)
A Major (VII)

B minor (i)
G Major (VI)
D Major (III)
A Major (VII)

B minor (i)
G Major (VI)
A Major (VII)
B Major (i – borrowed chord)
“`

Similar Chord Progressions

– The Axis of Awesome’s song “Four Chords” makes use of the same vi – IV – I – V progression present in “Hurt”. However, Axis of Awesome cycles these chords throughout the whole song, without the deviation presented the last line of “Hurt”.

– A multitude of pop songs use this progression, or a variation of it. This includes Journey’s “Don’t Stop Believing” (I – V – vi – IV) and The Beatles’ “Let it Be” (I – V – vi – V).

Please provide further details if the other parts of the song are also required to be analyzed.

Musical Analysis

“Burt” by Nine Inch Nails, is a highly introspective and emotive piece set in a minor key, featuring a repeating chord progression with a brief deviation in the final chord on the last line. This progression contributes to the listener’s sense of anticipation and expectation, particularly as the song builds towards its climax.

The use of the chord progression within the chorus of Bm – G – D – A is an example of a vi – IV – I – V progression when analyzed in D Major. This progression is commonly found in pop music due to its melodic resolution within the particular key and because it provides a sense of ‘completeness’. Therefore, when the progression changes on the final line to Bm – G – A – the listener perceives it as deviation from the expected resolution created by the previous progression.

The borrowed B Major chord is a direct modulation or “chromatic mediant relationship”, which occurs when the root notes of two chords are a third apart.

Overall Analysis

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

Style Analysis

“Hurt” falls under the genre of Industrial Rock, a genre known for its harsh and experimental sounds. Yet this song takes a softer and more introspective approach, with the focus on the lyrics and the melody. The chord progression is relatively simple when compared to other songs in the same genre. This minimalism allows listeners to focus more on the artist’s poignant lyrics.

Chords in the Chorus section of Hurt by Nine Inch Nails are:

[‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘A’, ‘B’]