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The chord progression found in “Kashmir” by Led Zeppelin is a typical example of their unique approach to harmonic movement and compositional ideas. It features a blend of chords from different keys, creating a sense of tonal ambiguity which is a recurring theme in the band’s music. The piece also incorporates elements of Eastern and Western sounds, adding to the distinctiveness of their music.

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

“Set Fire To The Rain” is a song that largely follows the conventions of pop music, with its simple and repetitive chord progressions echoing those in many similar genres. The chord progression observed in the Outro is primarily a combination of minor and major chords that provide a melancholic and intense undertone to the song’s overall theme. The song is in the key of A minor and the chord progression in the Outro starts on the key’s root chord (‘Am’).

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

Led Zeppelin – Kashmir – Outro

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Chord Progression

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G

Chord Progression Analysis

G major (bVII) – A major (I)

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Borrowed Chord: None in this progression
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Similar Chord Progressions

1. The Beatles – “Eleanor Rigby”
Chord progression: C major (I) – E minor (iii) – C major (I)

2. The Rolling Stones – “Gimme Shelter”
Chord progression: C# minor (i) – B major (VII) – A major (VI)

3. David Bowie – “Heroes”
Chord progression: D major (I) – G major (IV) – A major (V)

These examples provide a taste of similar two-chord or unresolved progressions in other classic rock songs. While they may not be exact matches to the Kashmir outro, they share some structural similarities within their respective context, showcasing how simple chord progressions can be effective.

Musical Analysis

This simple two-chord progression creates an interesting harmonic landscape as it avoids traditional resolutions expected in tonal music. The choice to emphasize an ascent from G major to the A major chord, rather than following a more typical resolution from the dominant chord (E major), provides the track with a distinct modal quality. This harmonic ambiguity is a signature of Eastern music influences, which are quite prevalent in Led Zeppelin’s work.

Overall Analysis

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

Style Analysis

The signature sound of “Kashmir” stems largely from Led Zeppelin’s ability to blend Western rock with Eastern elements, such as the drone-like quality of this outro. Though the chords themselves are relatively simple, the arrangement and instrumentation are what make this progression shine. The driving percussion, layered strings, and guitar embellishments give this simple progression a powerful, even hypnotic, quality.

Chords in the Outro section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G