The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.
“My Name Is Jonas” by Weezer is a 90s alternative rock song featuring a catchy chord progression and memorable melodies. The verse 2 chord progression consists of a repeated set of chords: C, G, Am, F. This progression is common in popular music and creates a sense of familiarity for the listener. The key is C Major.
“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.
“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.
“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.
1979 After The Storm All I Need Apocalypse Please Brown Sugar Buddy Holly Bullet With Butterfly Wings California Kids Castles Made Of Sand Closer Creep Earfquake Every Day Is Exactly The Same Exit Music For A Film Fake Plastic Trees Get You Give Me The Night Gone Gone Hallelujah Heart Is A Drum House Of The Rising Sun Hurt Island In The Sun I Want To Hold Your Hand Kashmir Maxwells Silver Hammer Morning Motion Picture Soundtrack My Name Is Jonas Paint It Black Penny Lane Say Goodbye Say It Aint So Since Ive Been Loving You Somebody To Love Stairway To Heaven Strawberry Fields Forever The Good Life Think Im In Love Today Undone The Sweater Song Viva La Vida Whole Lotta Love With A Little Help From My Friends You And Whose Army
“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.
The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.
“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.
The chorus of “Perfect Situation” by Weezer features a fairly straightforward chord progression using diatonic chords from the G major scale. The progression is composed primarily of the tonic (I), dominant (V), and submediant (vi) chords, with a focus on their harmonic interplay. This creates a catchy and memorable chorus, which is characteristic of Weezer’s style and is often found in pop and rock music.
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