Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.
The chorus of “California Kids” by Weezer features an interesting mix of primarily diatonic chords, with some borrowed chords and chromaticism. The chord progression has a pop-rock feel, with uplifting major and minor chords, and the use of the E major chords adds tension and intrigue.
The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.
** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.
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The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.
1979 After The Storm All I Need Apocalypse Please Brown Sugar Buddy Holly Bullet With Butterfly Wings California Kids Castles Made Of Sand Closer Creep Earfquake Every Day Is Exactly The Same Exit Music For A Film Fake Plastic Trees Get You Give Me The Night Gone Gone Hallelujah Heart Is A Drum House Of The Rising Sun Hurt Island In The Sun I Want To Hold Your Hand Kashmir Maxwells Silver Hammer Morning Motion Picture Soundtrack My Name Is Jonas Paint It Black Penny Lane Say Goodbye Say It Aint So Since Ive Been Loving You Somebody To Love Stairway To Heaven Strawberry Fields Forever The Good Life Think Im In Love Today Undone The Sweater Song Viva La Vida Whole Lotta Love With A Little Help From My Friends You And Whose Army
“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.
The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.
“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.
The chorus of “Perfect Situation” by Weezer features a fairly straightforward chord progression using diatonic chords from the G major scale. The progression is composed primarily of the tonic (I), dominant (V), and submediant (vi) chords, with a focus on their harmonic interplay. This creates a catchy and memorable chorus, which is characteristic of Weezer’s style and is often found in pop and rock music.
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