“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.
The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.
“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.
The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.
“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.
Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.
The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.
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