“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.
The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.
The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.
“After You’ve Gone” is a jazz standard composed by Django Reinhardt. The verse progression of the song uses a combination of major, minor and dominant chords with some borrowed chords and secondary dominants, which is a hallmark of early jazz and swing music. The harmonic rhythm is mainly at a pace of one or two chords per bar, with occasional faster changes. The piece has a strong sense of tonal center around the key of G major.
The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.
The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.
Chord Progression Analysis and Roman Numerals:
A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')
The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`
The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.
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