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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.
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“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.
The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.
The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.
The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.
“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.
“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.
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