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The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

The acoustic outro of “My Name is Jonas” features a simple and catchy five-chord progression which follows a predominantly major tonality with a touch of minor tonality. The loop creates a memorable and recognizable melody that is widely associated with Weezer’s popularity in the alternative rock scene during the ’90s.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

Weezer – The Good Life – Outro

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Chord Progression

Em, Am, D

Chord Progression Analysis

E minor (i) – A minor (iv) – D major (VII)

“`Borrowed Chord: None. All chords belong to the E natural minor scale.“`

Similar Chord Progressions

1. Radiohead – “Karma Police” (Outro)
A minor (i) – E minor (v) – D major (VII)

2. Nirvana – “Come As You Are” (Verse)
E minor (i) – G major (III) – D major (VII) – A major (VI)

3. Smashing Pumpkins – 1979 (Outro)
E minor (i) – D major (VII) – G major (III) – A major (VI)

In conclusion, the chord progression in the outro of Weezer’s “The Good Life” is simple yet evocative, and it’s characteristic of the alternative rock and power-pop musical styles of the 1990s. The progression, alongside similar ones from other music artists of the time, showcases specific stylistic qualities and reflects the introspective nature of the genre.

Musical Analysis

The chord progression in the outro of “The Good Life” by Weezer features movement by 4ths and 5ths, which is a common harmonic device in Western music. The progression starts on the tonic chord (Em) and then moves to the subdominant chord (Am) before reaching the subtonic chord (D major). This progression creates a reflective and melancholic atmosphere that is characteristic of alternative rock and power-pop music of the 90s.

Overall Analysis

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

Style Analysis

Weezer’s “The Good Life” is a prime example of mid-90s alternative rock and power-pop. The chord progression and overall harmonic texture contribute to the song’s introspective and emotional feel. This is quite characteristic of Weezer’s songwriting during this period, especially on their 1996 album “Pinkerton,” from which “The Good Life” was released as a single.

Chords in the Outro section of The Good Life by Weezer are:

Em, Am, D