Search

Related Music Theory Alchemy

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

**
The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

**

“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Weezer – The Good Life – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

B7, C, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em

Chord Progression Analysis

B7 (V7/iii), C (IV), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi)

Borrowed Chord:
`B7 (V7/iii)`

Similar Chord Progressions

1. Radiohead – “Creep”
Chorus: G (I), B7 (V7/iii), C (IV), Cm (iv)

2. Coldplay – “The Scientist”
Verse: Dm (ii), B♭ (IV), F (I), C (V)

Both examples showcase the use of chromatic chords and unconventional progressions, similar to Weezer’s “The Good Life” chorus. In “Creep,” the B7 is a borrowed chord (V7/iii) as well, while in “The Scientist,” the progression features a (ii-IV-I-V) pattern, which isn’t as common in popular music.

Musical Analysis

In this chorus, the predominant key is G major, with most chords belonging to the diatonic set. However, the B7 chord, the dominant seventh of E minor, is borrowed from the parallel minor key (G minor), which adds a chromatic element to the progression.

The song follows a common pattern in popular rock music; the chords mostly move by fourths (roots of the chords being a fourth apart). This pattern can be seen in multiple instances within the progression, such as D-G, G-Em, Am-D, and D-G.

Overall Analysis

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

Style Analysis

Weezer is known for incorporating unconventional elements in their music and shifting from diatonic to non-diatonic chords. Their use of relatively simple chord progressions, combined with borrowed chords or chords from other keys, is a trademark, as seen in “The Good Life.” Furthermore, the band often employs repetition to create a sense of coherence, which is visible in the chorus of this song.

Chords in the Chorus section of The Good Life by Weezer are:

B7, C, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em