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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

The song “Yesterday” by The Beatles is in the key of F major and spans chord I to VI. It is characterized by a deeply expressive melody and distinctive harmony. The chord progression seems simple, yet it makes full use of secondary dominants, borrowed chords, and subtly shifting tonal centers for narrative, which is a trademark of The Beatles’s songwriting style.

Weezer – The Good Life – Chorus

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Chord Progression

B7, C, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em

Chord Progression Analysis

B7 (V7/iii), C (IV), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi), Em (vi), Am (ii), D (V), D (V), G (I), Em (vi)

Borrowed Chord:
`B7 (V7/iii)`

Similar Chord Progressions

1. Radiohead – “Creep”
Chorus: G (I), B7 (V7/iii), C (IV), Cm (iv)

2. Coldplay – “The Scientist”
Verse: Dm (ii), B♭ (IV), F (I), C (V)

Both examples showcase the use of chromatic chords and unconventional progressions, similar to Weezer’s “The Good Life” chorus. In “Creep,” the B7 is a borrowed chord (V7/iii) as well, while in “The Scientist,” the progression features a (ii-IV-I-V) pattern, which isn’t as common in popular music.

Musical Analysis

In this chorus, the predominant key is G major, with most chords belonging to the diatonic set. However, the B7 chord, the dominant seventh of E minor, is borrowed from the parallel minor key (G minor), which adds a chromatic element to the progression.

The song follows a common pattern in popular rock music; the chords mostly move by fourths (roots of the chords being a fourth apart). This pattern can be seen in multiple instances within the progression, such as D-G, G-Em, Am-D, and D-G.

Overall Analysis

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

Style Analysis

Weezer is known for incorporating unconventional elements in their music and shifting from diatonic to non-diatonic chords. Their use of relatively simple chord progressions, combined with borrowed chords or chords from other keys, is a trademark, as seen in “The Good Life.” Furthermore, the band often employs repetition to create a sense of coherence, which is visible in the chorus of this song.

Chords in the Chorus section of The Good Life by Weezer are:

B7, C, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em, Em, Am, D, D, G, Em