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Related Music Theory Alchemy

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

“When I Was Your Man” is a pop power ballad with a chord progression that tends to lean towards traditional pop and soul structures. It’s set in the key of C Major. However, the song has a few interesting deviations from the standard pop song structure.

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Weezer – The Good Life – Bridge

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Chord Progression

Am, D, G, Em, Am, D, G, Em, Am, D

Chord Progression Analysis

1. A minor (vi)
2. D Major (V/IV)
3. G Major (I)
4. E minor (vi)
5. A minor (vi)
6. D Major (V/IV)
7. G Major (I)
8. E minor (vi)
9. A minor (vi)
10. D Major (V/IV)

Borrowed Chord:
“`
D Major (V/IV) – Borrowed from G Mixolydian mode
“`

Similar Chord Progressions

1. Radiohead – “Creep” (1993)
Chord Progression: [‘G’, ‘B’, ‘C’, ‘Cm’] = G Major (I), B Major (III), C Major (IV), C minor (iv)

2. Oasis – “Don’t Look Back in Anger” (1995)
Chord Progression: [‘C’, ‘G’, ‘Am’, ‘E’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’] = C Major (I), G Major (V), A minor (vi), E Major (V/vi), F Major (IV), G Major (V), C Major (I), A minor (vi), G Major (V)

Musical Analysis

The chord progression starts with the vi chord (A minor), creating a feeling of tension, which is resolved by the following V/IV (D Major) chord. This creates a sense of propulsion towards the G Major (I) chord. The progression then repeats, providing a strong sense of forward momentum. By incorporating the D Major borrowed chord, Weezer adds a touch of chromaticism, which enriches the overall sound of the progression.

Overall Analysis

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

Style Analysis

The use of both diatonic and borrowed chords is common in Weezer’s music, reflecting their blend of alternative rock and power pop elements. These chords create a sense of catchiness and familiarity, which is a large part of their style. The balance between simple and complex harmonic elements is also a hallmark of Weezer’s sound.

Chords in the Bridge section of The Good Life by Weezer are:

Am, D, G, Em, Am, D, G, Em, Am, D