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Related Music Theory Alchemy

The pre-chorus of Weezer’s “If You’re Wondering If I Want You To (I Want You To)” features a simple yet effective chord progression primarily centered around the D major chord. The piece overall follows a pop-rock, alternative musical style consistent with the typical sound of Weezer.

“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.

The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

The chorus of Taylor Swift’s “Guilty as Sin?” showcases a rich and dynamic chord progression that reflects the song’s emotional intensity and narrative depth. This progression, with its interplay of major, major seventh, and minor chords, provides a musical canvas that enhances the emotional weight of the lyrics, indicative of Swift’s sophisticated songwriting approach.

Weezer – If Youre Wondering If I Want You To I Want You To – Chorus

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Chord Progression

D, Bm, Bm, G, A, Bm, D, Bm, Bm, G, A, D

Chord Progression Analysis

D (I) – Bm (vi) – Bm (vi) – G (IV) – A (V) – Bm (vi) – D (I) – Bm (vi) – Bm (vi) – G (IV) – A (V) – D (I)

Similar Chord Progressions

1. “Wonderwall” by Oasis:
D (I) – Dsus4 (Isus4) – Asus4 (IVsus4) – G (IV) – Bm (vi) – A (V) – D (I)

2. “Smells Like Teen Spirit” by Nirvana (in F minor):
Fm (i) – Bb (IV) – Ab (III) – Db (VI)

These songs, like Weezer’s “If You’re Wondering If I Want You To (I Want You To),” make use of diatonic chords in their progressions while also including variations, such as sus chords in “Wonderwall” or chords borrowed from the parallel major scale in “Smells Like Teen Spirit.” This gives the progressions an additional layer of interest and emotion comparable to Weezer’s piece.

Musical Analysis

The chorus begins with the tonic chord, D, establishing the key of the piece. It then moves to the relative minor chord, Bm, which serves to add depth and contrast to the harmony. The repetition of the Bm chord emphasizes its importance in the progression. Following the Bm, we move to G and A, the IV and V chords, respectively. These chords are used to create a sense of forward momentum and ultimately lead back to the tonic.

The second half of the progression mirrors the first half, but with one key difference: rather than returning to Bm for another round of vi-IV-V, the progression resolves directly back to the tonic, D, creating a strong sense of resolution and conclusion.

Overall Analysis

“If You’re Wondering If I Want You To (I Want You To)” by Weezer has a chorus featuring a chord progression in the key of D major. The progression includes chords from both the major and minor scales while still primarily using diatonic chords from D major. The style of the progression is reminiscent of 90s alternative rock, and it finds similarity with other iconic chord progressions in rock music.

Style Analysis

The chord progression used in this Weezer piece is characteristic of the alternative rock style of the 1990s. The use of diatonic chords, simple harmonic structures, and a strong bass line provide a solid foundation for the melody and lyrics. The progression’s mix of major and minor chords gives the chorus an emotional complexity common in alternative rock, conveying a wide range of feelings such as nostalgia, hope, and longing.

Chords in the Chorus section of If Youre Wondering If I Want You To I Want You To by Weezer are:

D, Bm, Bm, G, A, Bm, D, Bm, Bm, G, A, D