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Related Music Theory Alchemy

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

Tyler, The Creator – See You Again – Verse 1

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Chord Progression

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5

Chord Progression Analysis

The verse contains a rich sound due to the use of major and minor seventh chords. The use of borrowed chords and chromaticism highlights Tyler, The Creator’s inclination towards both jazz harmonies and pop songwriting. The use of the chromatic Fmaj7 chord often leaves the listener waiting for a resolution, and the return to the tonic F#maj7 provides a sense of relief.

Similar Chord Progressions

Musical Analysis

Tyler, The Creator is known for taking musical influences from various genres and blending them together. The jazz-influenced harmonies in “See You Again” are an example of Tyler’s eclecticism. This particular chord progression showcases a distinct pop structure that leans into the harmonic unpredictability of jazz, providing a unique and engaging listening experience.

Overall Analysis

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

Style Analysis

1. “I’ll Be Seeing You” by Billie Holiday
(Verse only)
– Fmaj7 (I)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– Am7 (iii7)
– Am7/D (iii7/VI)
– Dm7 (vi7)
– Dm7/G (vi7/ii)
– Gm7 (ii7)
– Gm7/C (ii7/IV)
– C7 (V7)
– Fmaj7 (I)

2. “Misty” by Erroll Garner (Verse only)
– Cmaj7 (I)
– Cmaj7/B (I6)
– Am7 (vi7)
– Am7/G (vi7/IV)
– Dm7 (ii7)
– Dm7/C (ii7/V)
– G7 (V7)
– Cmaj7 (I)

These examples capture some elements of Tyler, The Creator’s chord progression but vary in specific details. In both examples, the use of predominant seventh chords, chromaticism and borrowed chords can be observed, similarly highlighting the influences of jazz harmonies with pop sensibilities.

Chords in the Verse 1 section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5