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Related Music Theory Alchemy

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

Vance Joy – Riptide – Verse 1

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]

Chord Progression Analysis

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Chord progression: [‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]
Equivalent in roman numerals: [‘Vi’, ‘V’, ‘I’, ‘Vi’, ‘V’, ‘I’, ‘Vi’, ‘V’, ‘I’, ‘Vi’, ‘V’, ‘I’]

For this chord progression, the full chord names and their relative roman numerals are:

“`
Am (vi)
G (V)
C (I)
“`

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Similar Chord Progressions

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A similar I–V–vi–IV progression in the key of C is seen in:

– “Let It Be” by The Beatles. Chord progression: [‘C’, ‘G’, ‘Am’, ‘F’]
– “No Woman, No Cry” by Bob Marley: Chord progression is [‘C’, ‘G’, ‘Am’, ‘F’]

The iconic progression also appears in these songs but the key varies:

– “I’m Yours” by Jason Mraz which uses a variant of a I–V–vi–IV progression in the key of B: Chord progression: [‘B’, ‘F#’, ‘G#m’, ‘E’]
– “Someone Like You” by Adele which is in the key of A: Chord progression: [‘A’, ‘E’, ‘F#m’, ‘D’]

Even though these songs are in different keys, their chord progressions are essentially transpositions of the I-V-vi-IV progression, meaning they follow the same pattern, just starting on different root notes.

Musical Analysis

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This three-chord pattern (Am-G-C) is repeated throughout the verse. Starting on the vi chord stands out because it’s different from the standard pop song format that often begins on the I chord. The use of the V chord (G) as a transition back to the I chord (C) gives it a solid sense of resolution. There’s also a continuous pulse to the song which drives the rhythm. The aforementioned cyclical three-chord progression provides a catchy repeating harmonic loop that suits the repetition in the melody and gives the overall piece a pleasant and dynamic flow.

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Overall Analysis

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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Style Analysis

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This style is very typical of pop and folk music. In using simple and repetitive harmonic sequences, the song offers predictability and a sense of familiarity. This allows the listener to latch onto the memorable hook and notably, it paves way for the lyrics and melody to really shine through. The chord progression and the choice of chords itself produce a pleasant combination of major and minor sonorities, contributing to the bittersweet, heartfelt vibe of the song.

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Chords in the Verse 1 section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]