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Related Music Theory Alchemy

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

Tyler, The Creator – See You Again – Outro

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Chord Progression

F#maj7, F#maj7/B, G#m7, D7#5

Chord Progression Analysis

F#maj7 (IMaj7), F#maj7/B (IMaj7/5), G#m7 (IIm7), D7#5 (VI7♯5)

`The D7#5 chord is borrowed from the F# harmonic minor scale.`

Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely”
Chord Progression: Emaj7 (IMaj7), Bm7 (IVm7), Amaj7 (IVMaj7), F#m7 (IIm7), F#7#5 (II7♯5)
2. John Coltrane – “Giant Steps”
Chord Progression: BMaj7 (IMaj7), D7 (V7/III), GMaj7 (VMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), Am7 (VIm7), D7 (V7/II), GMaj7 (IIMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), F#7#5 (II7♯5), BMaj7 (IMaj7)
3. Shania Twain – You’re Still The One
Chord Progression: EMaj7 (IMaj7), F#m7 (IIm7), A (IV), A/B (IV/2), B7#5 (V7#5)

These songs have incorporated the use of 7th chords and/or borrowed chords, particularly the augmented 5th chords or other unexpected chords, creating a similar harmonic texture as in “See You Again.”

Musical Analysis

The progression begins with a stable F#maj7 chord, followed by the F#maj7/B, which is essentially functioning as a first inversion chord. This inversion creates a smooth bass line and a subtle sense of forward motion. The progression then moves to the G#m7 chord, a diatonic chord in the key of F# major that provides a smooth transition from the tonic. The most interesting aspect of this progression is the D7#5 chord, which is a borrowed chord from the F# harmonic minor scale. This chord not only adds tension and color to the music but also creates a strong pull back to the tonic, effectively allowing the progression to loop seamlessly.

Overall Analysis

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

Style Analysis

Tyler, The Creator is known for his unique and often experimental approach to harmony within his music. The inclusion of the borrowed D7#5 chord in this progression showcases his distinctive choice of chords that are not traditionally used in pop music. The progression exhibits a jazzy feel; the use of 7th chords adds depth and gives the music a rich harmonic texture. Despite the unconventional chord choices, the progression still retains a strong sense of melodic movement and resolution throughout.

Chords in the Outro section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, G#m7, D7#5