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Related Music Theory Alchemy

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

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The song, ‘Across the Universe’ by The Beatles is uniquely complex in its melody and chord progression. The song modulates or shifts key but is rooted mainly in D major. The song utilizes the standard rock/pop song structure of Verse, Chorus, and Outro. The unusual facet of this song’s composition is the use of borrowed chords (non-diatonic chords) that add unexpected twists to an otherwise typical chord progression.

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Tyler, The Creator – See You Again – Outro

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Chord Progression

F#maj7, F#maj7/B, G#m7, D7#5

Chord Progression Analysis

F#maj7 (IMaj7), F#maj7/B (IMaj7/5), G#m7 (IIm7), D7#5 (VI7♯5)

`The D7#5 chord is borrowed from the F# harmonic minor scale.`

Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely”
Chord Progression: Emaj7 (IMaj7), Bm7 (IVm7), Amaj7 (IVMaj7), F#m7 (IIm7), F#7#5 (II7♯5)
2. John Coltrane – “Giant Steps”
Chord Progression: BMaj7 (IMaj7), D7 (V7/III), GMaj7 (VMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), Am7 (VIm7), D7 (V7/II), GMaj7 (IIMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), F#7#5 (II7♯5), BMaj7 (IMaj7)
3. Shania Twain – You’re Still The One
Chord Progression: EMaj7 (IMaj7), F#m7 (IIm7), A (IV), A/B (IV/2), B7#5 (V7#5)

These songs have incorporated the use of 7th chords and/or borrowed chords, particularly the augmented 5th chords or other unexpected chords, creating a similar harmonic texture as in “See You Again.”

Musical Analysis

The progression begins with a stable F#maj7 chord, followed by the F#maj7/B, which is essentially functioning as a first inversion chord. This inversion creates a smooth bass line and a subtle sense of forward motion. The progression then moves to the G#m7 chord, a diatonic chord in the key of F# major that provides a smooth transition from the tonic. The most interesting aspect of this progression is the D7#5 chord, which is a borrowed chord from the F# harmonic minor scale. This chord not only adds tension and color to the music but also creates a strong pull back to the tonic, effectively allowing the progression to loop seamlessly.

Overall Analysis

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

Style Analysis

Tyler, The Creator is known for his unique and often experimental approach to harmony within his music. The inclusion of the borrowed D7#5 chord in this progression showcases his distinctive choice of chords that are not traditionally used in pop music. The progression exhibits a jazzy feel; the use of 7th chords adds depth and gives the music a rich harmonic texture. Despite the unconventional chord choices, the progression still retains a strong sense of melodic movement and resolution throughout.

Chords in the Outro section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, G#m7, D7#5