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Related Music Theory Alchemy

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

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The song, ‘Across the Universe’ by The Beatles is uniquely complex in its melody and chord progression. The song modulates or shifts key but is rooted mainly in D major. The song utilizes the standard rock/pop song structure of Verse, Chorus, and Outro. The unusual facet of this song’s composition is the use of borrowed chords (non-diatonic chords) that add unexpected twists to an otherwise typical chord progression.

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“A Star is Born – Shallow” is primarily in the key of G major and has a fairly simple and straightforward chord progression with an intriguing twist toward the end. The song features a common I-V-vi-IV chord progression with an occasional ii-chord (Am) substituting for the vi-chord (Em). Then, it introducess a borrowed chord (Bm) which creates an interesting, unexpected color in the harmony.

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

Tyler, The Creator – Earfquake – Outro

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7

Chord Progression Analysis

B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I)
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A minor 7 is a borrowed chord from the parallel minor key (B-flat minor)
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Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: Cmaj7 (I), Gmaj7 (V), Fmaj7 (IV), Emin7 (iii), Dmin7 (ii), G7 (V7)

2. Erykah Badu – “On & On”
Chord Progression: Am7 (i), Em7 (v), Fmaj7 (VI), Gmaj7 (VII)

These examples feature similar use of major 7th and minor 7th chords, contributing to a similar Neo-Soul/R&B atmosphere. They also utilize borrowed chords or modulations to different keys, offering rich harmonic textures, and emotional depth.

Musical Analysis

The I chord (Bbmaj7) establishes the tonal center of the piece, which is B-flat Major. The viiø/III chord (Am7) can be considered a borrowed chord, as mentioned above. Borrowing a chord from parallel minor keys can introduce interesting harmonies and color to the progression, making it more dramatic and emotional. In this case, the Am7 generates suspense as it transitions back to the Bbmaj7, contributing to the emotional impact of the music.

Overall Analysis

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

Style Analysis

In terms of style, the chord progression can be associated with Neo-Soul and R&B genres, which often utilize 7th chords and borrowed chords to create a smooth, sophisticated sound. The dreamy, emotional quality of the progression is further enhanced by the use of major 7th chords, as they tend to have a warm, lush timbre.

Chords in the Outro section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7