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Related Music Theory Alchemy

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

Tyler, The Creator – Earfquake – Outro

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7

Chord Progression Analysis

B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I)
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A minor 7 is a borrowed chord from the parallel minor key (B-flat minor)
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Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: Cmaj7 (I), Gmaj7 (V), Fmaj7 (IV), Emin7 (iii), Dmin7 (ii), G7 (V7)

2. Erykah Badu – “On & On”
Chord Progression: Am7 (i), Em7 (v), Fmaj7 (VI), Gmaj7 (VII)

These examples feature similar use of major 7th and minor 7th chords, contributing to a similar Neo-Soul/R&B atmosphere. They also utilize borrowed chords or modulations to different keys, offering rich harmonic textures, and emotional depth.

Musical Analysis

The I chord (Bbmaj7) establishes the tonal center of the piece, which is B-flat Major. The viiø/III chord (Am7) can be considered a borrowed chord, as mentioned above. Borrowing a chord from parallel minor keys can introduce interesting harmonies and color to the progression, making it more dramatic and emotional. In this case, the Am7 generates suspense as it transitions back to the Bbmaj7, contributing to the emotional impact of the music.

Overall Analysis

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

Style Analysis

In terms of style, the chord progression can be associated with Neo-Soul and R&B genres, which often utilize 7th chords and borrowed chords to create a smooth, sophisticated sound. The dreamy, emotional quality of the progression is further enhanced by the use of major 7th chords, as they tend to have a warm, lush timbre.

Chords in the Outro section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7