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The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

Tyler, The Creator – Earfquake – Outro

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7

Chord Progression Analysis

B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I)
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A minor 7 is a borrowed chord from the parallel minor key (B-flat minor)
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Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: Cmaj7 (I), Gmaj7 (V), Fmaj7 (IV), Emin7 (iii), Dmin7 (ii), G7 (V7)

2. Erykah Badu – “On & On”
Chord Progression: Am7 (i), Em7 (v), Fmaj7 (VI), Gmaj7 (VII)

These examples feature similar use of major 7th and minor 7th chords, contributing to a similar Neo-Soul/R&B atmosphere. They also utilize borrowed chords or modulations to different keys, offering rich harmonic textures, and emotional depth.

Musical Analysis

The I chord (Bbmaj7) establishes the tonal center of the piece, which is B-flat Major. The viiø/III chord (Am7) can be considered a borrowed chord, as mentioned above. Borrowing a chord from parallel minor keys can introduce interesting harmonies and color to the progression, making it more dramatic and emotional. In this case, the Am7 generates suspense as it transitions back to the Bbmaj7, contributing to the emotional impact of the music.

Overall Analysis

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

Style Analysis

In terms of style, the chord progression can be associated with Neo-Soul and R&B genres, which often utilize 7th chords and borrowed chords to create a smooth, sophisticated sound. The dreamy, emotional quality of the progression is further enhanced by the use of major 7th chords, as they tend to have a warm, lush timbre.

Chords in the Outro section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7