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Related Music Theory Alchemy

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

Tyler, The Creator – Earfquake – Chorus

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb Major 7 (I7) – A Minor 7 (vi7/VI) – G Minor 7 (vi7) – A Minor 7 (vi7/VI) – Bb Major 7 (I7) – A Minor 7 (vi7/VI) – G Minor 7 (vi7) – A Minor 7 (vi7/VI)

Borrowed Chords:
`A Minor 7 (vi7/VI)`

Similar Chord Progressions

1. “One Last Cry” by Brian McKnight:
Bb Major 7 (I7) – G Minor 7 (vi7) – F Major 7 (V7) – E Minor 7 (iv7/IV) – Eb Major 9 (IVmaj9)

2. D’Angelo’s “Untitled (How Does It Feel)”:
C Major 7 (I7) – A Minor 7 (vi7) – E Minor 7 (iii7) – G Minor 7 (v7/V)

3. Erykah Badu’s “On & On”:
G Major 7 (I7) – A Minor 7 (ii7) – B Minor 7 (iii7) – E Minor 7 (vi7)

These examples demonstrate similar progressions featuring smooth 7th chords and a mixture of diatonic and borrowed chords, highlighting the influence of neo-soul and R&B in the songwriting style.

Musical Analysis

The progression commences with the I7 chord, Bbmaj7, establishing the tonal center in Bb Major. Following this, the progression moves to Am7, which is a borrowed chord from the parallel minor key (Bb minor). This borrowed chord adds a touch of melancholy, contributing to the overall neo-soul vibe of the piece. Subsequently, the progression leads to Gm7, the vi7 chord, providing a smooth descent from the previous chords. The progression then revisits the borrowed Am7 chord before it repeats the entire sequence once more.

Overall Analysis

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

Style Analysis

Tyler, The Creator, combines elements of neo-soul, R&B, and hip-hop in his work, and the chord progression in “Earfquake” aptly reflects these influences. The use of 7th chords provides a smooth and sophisticated harmonic texture, while the repetition gives the song a catchy and memorable quality. The presence of borrowed chords adds a sense of unpredictability and depth to the progression, a reflection of Tyler’s experimental and innovative approach to songwriting.

Chords in the Chorus section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, Bbmaj7, Am7, Gm7, Am7