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The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

Tyler, The Creator – Earfquake – Chorus

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb Major 7 (I7) – A Minor 7 (vi7/VI) – G Minor 7 (vi7) – A Minor 7 (vi7/VI) – Bb Major 7 (I7) – A Minor 7 (vi7/VI) – G Minor 7 (vi7) – A Minor 7 (vi7/VI)

Borrowed Chords:
`A Minor 7 (vi7/VI)`

Similar Chord Progressions

1. “One Last Cry” by Brian McKnight:
Bb Major 7 (I7) – G Minor 7 (vi7) – F Major 7 (V7) – E Minor 7 (iv7/IV) – Eb Major 9 (IVmaj9)

2. D’Angelo’s “Untitled (How Does It Feel)”:
C Major 7 (I7) – A Minor 7 (vi7) – E Minor 7 (iii7) – G Minor 7 (v7/V)

3. Erykah Badu’s “On & On”:
G Major 7 (I7) – A Minor 7 (ii7) – B Minor 7 (iii7) – E Minor 7 (vi7)

These examples demonstrate similar progressions featuring smooth 7th chords and a mixture of diatonic and borrowed chords, highlighting the influence of neo-soul and R&B in the songwriting style.

Musical Analysis

The progression commences with the I7 chord, Bbmaj7, establishing the tonal center in Bb Major. Following this, the progression moves to Am7, which is a borrowed chord from the parallel minor key (Bb minor). This borrowed chord adds a touch of melancholy, contributing to the overall neo-soul vibe of the piece. Subsequently, the progression leads to Gm7, the vi7 chord, providing a smooth descent from the previous chords. The progression then revisits the borrowed Am7 chord before it repeats the entire sequence once more.

Overall Analysis

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

Style Analysis

Tyler, The Creator, combines elements of neo-soul, R&B, and hip-hop in his work, and the chord progression in “Earfquake” aptly reflects these influences. The use of 7th chords provides a smooth and sophisticated harmonic texture, while the repetition gives the song a catchy and memorable quality. The presence of borrowed chords adds a sense of unpredictability and depth to the progression, a reflection of Tyler’s experimental and innovative approach to songwriting.

Chords in the Chorus section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, Bbmaj7, Am7, Gm7, Am7